The Artistic Expression Of Moving And Still In Chinese Figure Painting

Since ancient times,although there is no clear concept of "moving in static",we can roughly find the relevant connotation basis from ancient philosophy and aesthetics.In this paper,through the typical works to analyze the specific expression methods and the corresponding artistic beauty of the static in the picture,we can get the expression forms of overlapping moment,dynamic imagination,implicit momentum and motion illusion,which has a positive role in promoting the creation of Chinese figure painting.In the process of research,I also got some inspiration,and tried to integrate it into my own painting creation to verify whether it is feasible.The full text is divided into three chapters: the first chapter,from the content and form of the two aspects of the analysis of the basic connotation and form characteristics,followed by a summary of the theoretical origin and form of expression.The second chapter,through the analysis of the representative classic works of figure painting in the past dynasties,to feel the expression method and artistic beauty of the dynamic and static in the painting works.In the third chapter,the author's personal experience in the practice of creation.In this paper,literature research,image analysis and induction and deduction are used to explain the connotation and value of "moving in stillness" in Chinese figure painting,as well as the aesthetic feeling of integrating "moving in stillness" into the creation of Chinese figure painting.Through learning classics and practical experience,let the viewer feel the implicit dynamic beauty emphasized by the painter in the static modeling performance,and at the same time extend the far-reaching beauty of artistic conception and interest.Therefore,through the systematic study of the expression techniques of dynamic and static,it can produce important guiding significance for the future artistic creation.