A Study On The Characteristics Of Bian Shoumin's Paintings On The Theme Of Reed Goose

Bian Shoumin,as one of the "Eight Monsters of Yangzhou",has excellent poems,books,paintings,and seals,and has a wide range of creative themes.The most commendable is his Luyan theme.Whether it is a painting idea,a character of pen and ink,or a layout of rules and regulations,there are major breakthroughs compared with the predecessors.Bian Shoumin left a lot of outstanding paintings of Luyan theme for future generations,and also added a new style to the flower and bird paintings of the Qing Dynasty.This thesis takes Bian Shoumin's Luyan painting as the research object,and the full text is divided into four chapters.The first chapter analyzes the cultural origin of geese and the multiple meanings it contains,analyzes and summarizes the development trend of geese paintings,and serves as a pavement for a better study of Bian Shoumin's paintings on the theme of geese.The second chapter will analyze the painting characteristics of Bian Shoumin's Lu Yan theme from the three aspects of Bian Shoumin's personal experience and the background of his era,the sketching consciousness of "Shizhen Luyan" and the realm of "Two Forgotten Geese".The cause of the style.The third chapter is the key chapter of this thesis,which will analyze the formal characteristics of Bian Shoumin's Lu Yan theme painting from the four aspects of Lu Yan's posture,clever layout of layout,pen and ink language and background.The fourth chapter elaborates the status of Bian Shoumin's Luyan theme paintings in flower and bird paintings,analyzes the significance of Bian Shoumin's Luyan theme paintings,and summarizes the inheritance and continuation of later Lu Yan's art by later painters.Bian Shoumin's Luyan art has a profound influence on later generations,and also provides many experiences for reference in the creation of flower and bird paintings.