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Innovative Research On Visual Language Art Of Chinese Films On The Subject Of Disabilities Since The New Century

Posted on:2021-03-23Degree:MasterType:Thesis
Country:ChinaCandidate:M J LiuFull Text:PDF
GTID:2435330605475437Subject:Art and design
Abstract/Summary:PDF Full Text Request
The disability films studied in this article are films that really reach out to people with disabilities and show their real lives and inner worlds,not films in which people with disabilities appear in glimpses.Since the new century,the film industry has been paying attention to people with disabilities as a special group,and films on disability topics have been in a state of explosion,gradually attracting widespread social attention.Film theory can be traced as far back as 1908,when Canudo published "The Seventh Art of Aesthetics",which considers film as a true art and involves the issue of "visual language",which has since become the intersection of all issues raised by film aesthetics.The use of visual language is important for disability films and is the key to the success of disability films in today's digital media age.An analysis of the innovative use of visual language in disability films since the new century can better summarize the characteristics and artistic value of disability films,and provide some reference for the creation and research of disability films in China in the future.This paper attempts to conduct a multi-faceted academic analysis of the visual language styles of disability films since the new century,and attempts to sort out and summarize the laws and characteristics of the visual language presented by disability films themselves since the new century.Therefore,the author researches the artistic innovation of the visual language of disabled films from four aspects: color and light,composition,lens language,and montage,and uses representative films such as "Ocean Heaven","Blind Massage","Zhou","Happy Times","Silent River" and "Baby" for case analysis.Based on the graduation work "Because of You",the artistic innovation of the visual language of disability films summarized in the previous article is incorporated into the author's work,reflecting the interaction between the theory in the previous article and the graduation work,and at the same time,the author writes about the ways to realize the process of creating visual language of disability films based on his own creative experience,so as to provide more directors who are interested in creating disability films with experience.
Keywords/Search Tags:Disability film, visual language, lens language, montage
PDF Full Text Request
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