Analysis And Performance Interpretation Of The "Oriental Elements" In Debussy's "Bergamo Suite"

Debussy was one of the most famous French musicians,who was the representative figure of Impressionist music.He combines the eastern and western music perfectly and creates a large number of excellent music works with creative musical thinking.A typical embodiment of the cultural spirit of the East and the West.The Begamo Suite is Debussy from the end of the 19 th century to the 20 th century.It is composed of Prelude,Moonlight and Pasbier.This ensemble has the style of French ensemble in the 18 th century.It not only uses the old dance genres,such as small steps,Pasbeye,and so on,but also uses a large number of parallel chords,full scale,mid-ancient tones and five tones.The melodies and rhythms reflect the oriental meaning of "moving apart but God does not disperse",which makes the suite sound very oriental.Based on the oriental elements in "Begamo Suite",this paper takes Debussy's life experience as the starting point and the historical background of Debussy's life.King,creative techniques,performance skills and performance style are analyzed in order to achieve a profound understanding and comprehensive understanding of Debussy's Begum Suite.