An Analysis Of The Development Of Modern Ink And Wash Figure Painting In Xinjiang

Since the founding of the People's Republic of China 70 years ago,Chinese art has made unprecedented development,especially in the 40 years after the reform and opening up,Chinese ink painting has experienced an important turning point from Chinese painting to ink art.As a symbol of Chinese traditional culture,the current ink art has gone beyond the paper-based painting style,which mainly focuses on the use of ink,and it also includes everything with ink Related to more forms of language or material media or even ideas on the new art form of expression.If we separate the ink figure painting,the development of the current figure painting is also colorful,contemporary artists will be more creative enthusiasm from the expression of real life to express the inner world,from the pursuit of the beauty of commonness to the pursuit of the beauty of individuality,the ink figure painting from the requirements of single commonality to a more inclusive,rich multiple standards.Located in the northwest of China,Xinjiang has been home to many ethnic groups since ancient times.Since founding ceremony of the People's Republic of China,the Fine Arts Industry in Xinjiang has mushroomed and developed vigorously Artists of all ethnic groups have fully tapped the unique art resources of Xinjiang,penetrated into the lives of people of all ethnic groups in the north and south of Ten-zan,and contributed with their brushes to the society a large number of outstanding works reflecting the life of the Times.In the past 70 years,the ink figure painting in Xinjiang has experienced great development from scratch,from less to more.In particular,it has made important contributions to the development of the subject matter of ethnic minorities.However,up to now,there is a certain distance between the development of ink figure painting in Xinjiang and that in the mainland.It can also be said that the current ink figure painting in Xinjiang is in an awkward situation First,it is difficult to integrate into the mainstream of the great development of ink art in the mainland;Second,the themes of ethnic minorities and the amorous feelings of Xinjiang painting have become the labels of Xinjiang art creation To some extent,it has hindered the diversified development of Xinjiang ink and wash figure painting.Therefore,how to break through the current development dilemma has become an urgent issue for Xinjiang figure Painting Creation Group.