Space-time Construction And Aesthetic Perception Of Virtual Reality (VR) Movies Under Time-space Awareness

Throughout the course of film development,every major innovation in science and technology will have an impact on the form,creation mode and appreciation habits of the existing films,and technologies that conform to certain laws will finally settle down and be integrated into the films.With the rapid development of virtual reality(VR)technology in recent years,its collision with the field of film is more and more frequent.Virtual reality film has become a new form of film,which has attracted much attention in the world.More silent film art brings long lost "unknown" and "possible".The application of virtual reality technology has innovated the aesthetic concept of traditional films,especially led to the evolution of space-time concept and form of films.The space-time structure and narrative form of traditional films are no longer applicable to virtual reality films.Based on the immersive,interactive,space-time leading narrative and multi-dimensional narrative sequence of virtual reality films,which are different from the traditional films,the construction of space-time has become an important means of virtual reality film creation.Based on the research background of space-time consciousness and the core of space-time construction and aesthetic perception of virtual reality film,this paper reexamines the space-time narrative method of virtual reality film,and puts it into the traditional space-time view of film for indepth investigation.It discusses the space-time narrative characteristics,space-time narrative structure and space-time narrative method of virtual reality film from the perspective of creative subject and audience experience On the one hand,it aims to provide theoretical basis and creative guidance for the current virtual reality image creation;on the other hand,it explores the value and significance of space-time consciousness in the virtual reality film.The core of this paper includes four parts: the first part studies the evolution,concept,characteristics and temporal and spatial attributes of virtual reality films.From the fusion and development of different concepts and technologies from the East and the west,the concept is formed;from the relationship between technology and art,the space-time structure beyond the reality,and the change of audience's position in the virtual reality film,the characteristics and space-time attributes of the virtual reality film are combed.The second part studies the space-time construction of virtual reality films from the perspective of creators.Through the source code of the image world,audio-visual language and scene scheduling,this paper analyzes the space-time construction of virtual reality films,and explores the creation strategies and aesthetic characteristics between the internal and external scheduling of the film and image in virtual reality films.The third part analyzes the temporal and spatial changes of virtual reality films from the perspective of the receiver.It is proposed that the receptive aesthetics of virtual reality film has the aesthetic characteristics of "autonomy" and "consciousness".From the continuation of tradition to the different types of interaction of virtual reality film with its own characteristics,it constructs a new relationship between man and film.The fourth part discusses the impact of virtual reality technology on human order and film ecology.From the aspects of human-computer perception and behavior system matching,virtual cognition,audience self cognition,and film ecological reconstruction,this paper proposes that virtual reality technology realizes the overall "invasion" from the inside of the film to the whole material reality,and considers the philosophical problems to be faced when the virtual reality film reaches its own immersion in the future.