The Director Of The Documentary "Three Records Of A Floating Life" Explained

In recent years,especially after the reform and opening up,China’s social structure and the demographic characteristics of the entire population have changed rapidly.What follows is the refinement of the social division of labor,and a mature and complete urban service system is formed.At the same time,there are such a group of old craftsmen who have been stationed on the street corner for a long time.They are either repairing bicycles,repairing lock cylinders,matching keys,or repairing shoes...providing convenient repair services for surrounding residents,and acting as supplements in the overall division of labor and urban service system.Changes in the social environment,such as urban planning and technological innovation,have profoundly affected street corner repair practitioners.Nevertheless,some street corner craftsmen survived stubbornly in the changing industry ecology through adjustment.This film is based on social reality and uses the personal perspectives of three parallel and intersecting subjects as clues.It aims to restore the development of society and technology under the tide of changes to the greatest extent by deeply recording the working and living conditions of these Nanjing street corner craftsmen Challenges and opportunities for artisans.Show them avoiding,accepting,or catering when they collide with this changing society.Arouse the attention and reflection of the audience on these low-level repair operators.This article attempts to elaborate on the creative thinking and creative process of the documentary film "Three Records of a Floating Life" from three parts.The first part is an overview of the work,starting with the creative process,summary of the subject,and the subject,presenting the overall overview of the documentary.The second part is the analysis of the artistic methods of documentary film creation,focusing on the use of audiovisual language and the formation of film style.In the end,we will explore the dramatic construction methods of the character documentary and the authenticity of the antecedent of the documentary’s theme in combination with the film’s creative practice.