From The Perspective Of Artistic Anthropology, Liuhe Peasant Paintings Intervene In Local Daily Life Research

Luhe Peasant Painting is a form of folk art that originated in Luhe District,Nanjing City,Jiangsu Province.As a representative of local culture,it expresses the ideological aspirations and aesthetic tastes of farmers in Luhe area during production and life,reflects the ideological understanding and value sentiment of farmers in Luhe area,and enriches the cultural life and artistic aesthetic experience of the people in the area.From the perspective of the Anthropology of Arts,the investigation of Luhe Peasant Painting’s involvement in local daily life not only analyzes Luhe Peasant Painting as a folk art form,but also analyzes Luhe Peasant Painting and related groups in the context of local daily life.Study the interaction between creative groups,support groups and audience groups,and the cultural functions of Luhe Peasant Painting.Explore the role of art in people,regions and society,the impact of related groups on art,and the interaction between the two groups in the process.The paper is an investigation of Luhe Peasant Painting’s involvement in local daily life from the perspective of the Anthropology of Arts.The paper includes four parts.The first part examines the emergence and development of Luhe Peasant Painting from the perspective of the Anthropology of Arts.The emergence of Luhe Peasant Painting is the result of the interaction of endogenous power and external intervention under the condition of objective factors,which is mean that,under the conditions of natural geographical environment and historical and cultural accumulation,the result of the combination of popular choice and official support;It has experienced three stages: the peak period of the 1970 s to the 1990 s,the development bottleneck period of the late 20 th century to the beginning of the 21 st century,and the redevelopment period from 2006 to the present.The second part interprets the artistic characteristics of Luhe Peasant Painting and the performance of local daily life,and finds that there are periodic differences between the artistic characteristics of Luhe Peasant Painting and the displayed subject matter and analyzes the reasons for the changes.The third part analyzes the interaction between Luhe Peasant Painting and related groups and their functions under the background of local daily life,including the interaction between Luhe Peasant Painting and creative groups,mentors,the role of support groups,and the performance of audience groups,the role does Luhe Peasant Painting play for different groups.The fourth part analyzes the dilemma and problems of Luhe Peasant Painting’s involvement in local daily life from the two aspects of the work itself and related groups,and puts forward relevant suggestions from the work itself,related groups and intervention paths,including the perspective of the work: sourcing the artistic form of Peasant Painting,expanding the subject matter content of Peasant Painting;the perspective of related groups: strengthening creators’ awareness of identity,strengthening the support of talents,and cultivating the audience’s aesthetic identity;and the perspective of approaching path: participating in regional cultural construction and integrating with local cultural industries.It also has certain reference significance for other folk art forms involved in local daily life.