Memory Of Scenes And Image Construction Of Tibetan Tourists

Memory is an important measure of the destination's tourism experience and an important tool for understanding the overall image of the destination.Construst with making the no meaning syllable as the content of memory research in phychology,tourist's memories make with scenes.Tibetan,because of the image has been deeply indentified and also because of its diverse tourism scenes has become the research object of this paper.In the end,this paper focuses on this two research issues.First,this paper pay attention to the subconcepts and problems under the general memory category,explore the ways of tourists recall the tourism scenes^and the storage and extraction of information in different ways,the generation and performance of memory punctum,the factors of memory deviation and the role of auxiliary tools such as language and characters in the memory process.The second part is to explain the direction in which the analysis of the memory content of the tourists can be connected,that is,the content and process of the destination image construction.The conclusions in this section relate to specific destinations and are highly applicable.Combining the research problems of the above two parts,taking Tibet as a case,this article is to find out how tourists remember the scenes in Tibet,and remember what?In order to answer the above two questions,this article uses a combination of first-hand data and second-hand information.In the data analysis part,the first part sorts and analyzes the contents of related topics in the data to form a classification database,extracts various recall methods,and interprets the concepts and deviations of the puncture points in combination with speculation;The second part adopts the method of situation analysis to extract and classify the three types of materials,to explain the specific dimensions of sacred and mysterious image construction,and to use the categorization analyzes the data of short-period and long-period memory types to explain whether the image construction at different stages is different.By the analyzations in the first part,there are five distinct ways of recollection,in which the simulated mode of body experience is related to the sensory stimulation of the body in the tourism,and the scene is recalled by the senses during the recall;the memory of the body is related to the others behaviors,movements,gestures etc,the past tourist scene was reproduced by Self-examination of the changes in behavioral habits during recollections;Emotional coloring relates to the landmark attractions,elements,symbols,etc,the past tourist scene was reproduced through self-recalling and the apperance of the elements;the evokes by the punctum related to the specific elements in the scene and its presentation state;which is recalled by the scene recall needs or element reproduction;the evokes by tool related to a visual scene or the meaning text,as a reminder tool in recollection,enables the tourist to reconstruct the scene.In addition,the paper discusses the problem of memory punctum and memory deviation in the next section.The punctum has a strong constructive nature and is different for everyone.And also has a covering effect on the memory of the whole journey.The scene memory point is difficult to attribute due to its constructiveness,and cannot be separated due to its context dependence.The generation of memory deviation is inevitable.In the process of generating deviation,the shielding of auxiliary tools and the construction of language,the interference of interactive memory,and also the display also will make deviation.At the end of the first part,a diagram of the relationship between related concepts is made to more clearly represent the framework of this chapter.Through analysis,This paper concludes that the construction of sacredness and mystery in Tibet has different performances in four types of tourism scenes,which are analyzed and explained separately in the text.In summary,mystery and sacredness manifest at specific levels as distance(physical and psychological),difference(in the geographical and habit),pure feeling(color and Tibetan mind),inaccessible Feelings(language and taboo),tension and uneasiness (religious taboos and ritual rituals),confusion and incomprehension(religious knowledge and Tibetan life beliefs).Suggestions are also made for the production of Tibetan postcards and promotional videos.By comparing the differences between short-period memory and long-period memory content,it is found that the construction of short-period memory intentions is more important than that of the insider,and the characteristics of the insiders are more important,and the sense elements are emphasized and the sensory feelings are prominent.In contrast,the main elements proportion is outstanding,"outsider" perspective,trend toward stable state memory,multi-name memory in the long-period memory image construction.Finally,the discussion was extended.The topics included re-appearance of the forgotten information and the social impact of the memory.The limitations of the use of the scenario analysis method and the limitation of time were proposed.and hope that the revision can be made in the later research.