| Due to the increasing demand for versatility among classically trained singers, a soprano who wishes to find success in her field may need to include in her repertoire literature from both opera and music theater. As with the choice of opera roles, a soprano must consider carefully which music theater roles to perform as some may pose problems associated with unhealthy vocal production. There are numerous music theater roles for sopranos, especially in the works of Stephen Sondheim, that can and should be sung with traditional vocal technique while maintaining stylistic integrity. This study examines selected roles in the works of Stephen Sondheim that are appropriate for sopranos with classical training, based upon their tessitura, range, use of legitimate technique, and difficulty both musically and vocally. Each of the roles is examined with respect to the character's function within the plot, participation in ensembles, and analysis of her solo songs. A brief plot synopsis of each show is provided, as well as significant historical information including show dates, number of performances, producers, directors, book writers, and original cast members. Sources consulted include books and periodicals covering music theater, opera, Stephen Sondheim, classical vocal technique, and Broadway vocal technique as well as interviews reflecting the composer's views on the subject. |
