A Study On The Lacquer Techniques Of Chinese Guqin

Guqin is one of the oldest musical instruments in China,and it is also the only whole-body lacquered instrument in traditional Chinese musical instruments.Guqin and lacquer art complement each other in the long history of development and reflect each other.Lacquer art plays a key role in the success or failure of the Guqin restraint,while the inherent cultural connotation of Guqin highlights the inherent nationality and historical sense of natural lacquer.The study of Guqin and its lacquer technique helps us understand the traditional creation thoughts of the ancients.This can not only provide academic resources for the study of Guqin,but also influence more people to devote themselves to the harp art.This article starts from the perspective of lacquer art technology to study the traditional lacquer ware of China Guqin,using literature method,statistical method and image method,starting from the respective characteristics of Guqin and lacquer art,respectively,on the production materials of Guqin in different periods,Comparative research on the lacquer technique and aesthetic characteristics,and a comprehensive review of the evolution process of the lacquer technique in the past dynasties,to explore the internal connection and value of the two classics of lacquer and Qin in the process of inheritance,and this is the contemporary "Guqin" the development of the lacquer process brings some inspiration.Through research,the author has come to the conclusion that,in terms of the lacquer crafts of Guqin,all the ziqin artists of different ages have different creations.Judging from the existing real Guqin dynasties,the lacquer technique of Guqin has reached a very high level in the Tang and Song dynasties.Although there are still creations and improvements in later generations,the Tang and Song dynasties are mainly used in the whole,especially the Tang The ancient Guqin,whether it is the choice of materials,the decoration technique,or the aesthetics of the body,can be called a classic.After the middle of the Ming Dynasty,especially in the Qing Dynasty,Guqin,due to the extensive use of tile gray tires,the patent leather was severely peeled off,and many Guqin covered the rough craftsmanship through lavish decoration,ignoring the connotation and rhythm of the lacquer art itself.Guqin's lacquer technique has reached a certain height in ancient times.This is the common wisdom of countless harp artists,and has a profound impact on our today's Qin making and painting.Due to the historical positioning of the Guqin tradition,it has been closely integrated with the Chinese classical aesthetics of "the harmony of man and nature" since ancient times.Even though the "Guqin" is given a certain modern element,it is always inseparable and strictly adheres to "Traditional Chinese Culture".With the rapid development of modern craft technology,makers of Guqin need to face the choice of craftsmanship under the commercial atmosphere.Only on the basis of conforming to the development of society can the craft methods created by predecessors be effectively borrowed,and the art of Guqin can go further.