Research On The Phenomenon Of Contemporary Yangzhou Paper-cut "Imitation" Painting

Contemporary Yangzhou paper-cutting is a national intangible cultural heritage project and is well-known.It carries the historical shift from traditional handmade paper-cutting to art-appreciating paper-cutting.The phenomenon of "imitation" painting is an important issue that cannot be avoided in contemporary academic circles.The full text focuses on the main line of Yangzhou paper-cut "imitation" painting phenomenon,mainly discussing from three aspects:the social logic before and after the artist's creation of "imitation" painting behavior;the image pre-school causes and consequences of paper-cut text "imitating" painting;craft "imitation" painting technology refinement The cultural duality of adjustment.At the same time,this article attempts to reveal the cultural significance of Yangzhou's paper-cut "imitation",paintings,as well as the complex sociological connections,so as to provide answers to the particularities of universal cultural phenomena in case studies.Based on the two-and-a-half-year fieldwork that the author has experienced,including the collation of oral history and research records of 52 important representative paper-cut artists,this article summarizes the main contents of " imitation”of paper-cut images by analyzing the texts of " imitation”painting paper-cuts:The original appropriation style"imitation",the transposition style "imitation" and the shifting pattern "imitation";this article also through the paper-cutting tools,production process,mounting form and other creation process and behavior analysis,pointed out that the paper-cutting "imitation" The cultural duality of painting.On the one hand,the "imitation" painting gives craftsmanship a certain" shortcut”in image and technology,using mature images of the“other”to enhance the social recognition of the work,and to uphold the humanistic identity of the grassroots artist;on the other hand,there is no It can avoid "alienation" and "alienation" of the process body.With the development of the socialist market economy and changes in craftsmanship,contemporary crafts"imitate" painting for three reasons.The most important one is the"profit-seeking" of the artist group,which makes the so-called multi-hand craftsmanship paradox in cultural ethics.The contemporary ideal craftsmanship scale should never be the one-way condescension and follow-up of the painting image,but should focus on the self,noumenon,independent,essential,simple image and the new technological revolution of the specific craftsmanship.This is where the true contemporary and future meaning of culture can be confidently used as heritage.