Research On Heilongjiang Paper Cutting In New China

Heilongjiang Province is located in the northeast frontier of China,with a long history,vast territory and rich natural resources.In the process of social and historical development,a precious intangible cultural resource has been formed.Heilongjiang paper-cutting art originates from the crystallization of traditional culture,reflects the charm of original artistic symbols,and carries a long memory of social life.After the founding of New China,Heilongjiang paper-cutting shows new vitality.In the process of diachronic development,the works present highly artistic appearance,reflect the regional cultural connotation and strong humanistic customs,and expand the local people's aesthetic interest and artistic pursuit.Since the1990 s,paper-cutting,as one of the hot issues in the current research of Chinese folk art,presents not a skill,but emphasizes more on artistic transformation and creation based on the cultural field.Heilongjiang paper-cutting,as a special cultural symbol,presents a rich and deep cultural essence under the influence of traditional culture,national culture and folk culture.As far as Heilongjiang creators are concerned,it has a wide range of people's participation,it is closely related to their modes of existence,lifestyles and ways of thinking,and has formed a conventional concept of artistic modeling in the long period of social life.With the continuous involvement of many artists in the field of paper-cutting creation in the province,the paper-cutting styles show a diversified trend with the development of history,fully showing a strong artistic meaning,but the core of its modeling concept is still inherited from traditional culture.Paper-cutting itself carries the diversity and complexity of culture,so its research cannot be separated from the comprehensive exploration of national culture,folk culture,creation subjects and other factors.Based on the existing research results of former scholars,this paper takes the perspective of fine arts as the starting point,and comprehensively uses the research categories and methods of folk fine arts,art folklore and art sociology to recognize and grasp the paper-cutting research in Heilongjiang.In terms of the dimensions discussed in this paper,it can be divided into cultural level,modeling concept level and modeling level.All levels are independent of each other and form an organic whole of paper-cutting art.This paper focuses on the relationship between the above different factors,summarizes and dazzles the historical process of paper cutting in Heilongjiang,New China,and shows the ways in which the modeling concept under the influence of culture affects the artistic style of paper-cutting creation.This study will help to further understand the development law of Heilongjiang paper-cutting in New China,construct the theoretical system of Heilongjiang paper-cutting creation and guide the creative practice,expanding the development space of traditional paper-cutting in today's artistic context.The contents of each chapter of this paper are as follows:The first chapter,through the analysis of the paper-cutting experts and folk art circles on the attribution scope of paper-cutting,determines the scope of paper-cutting in this paper,classifies and combs the books,references and academic achievements within the relevant scope.By analyzing and summarizing the achievements and shortcomings of the existing research materials,this paper explains the academic value and significance of this topic selection research.The second chapter,through the research on the historical process of Heilongjiang paper-cutting in New China,rationally combs the development context and research status of Heilongjiang paper-cutting modeling since the founding of New China,attempting to reveal the relationship between the internal change law of paper-cutting modeling and the social and cultural environment.Through the diachronic exploration,this paper gradually discusses the characteristics and historical evolution of Heilongjiang paper-cutting style,has an overall understanding of the research subject,and lays a good foundation for in-depth research.The third chapter,based on the research results of paper-cutting at home and abroad at the present stage,discusses the original cultural characteristics of Heilongjiang paper-cutting in New China,and discusses the position of Heilongjiang paper-cutting modeling style in its different historical and cultural context,so as to determine the constituent relationship and situation between paper-cutting art and regional culture.The fourth chapter,by studying the modeling thinking mode and concept theory of Heilongjiang paper-cutting,explores the overall picture of modeling from multiple research perspectives,combs out the onto logical causes of paper-cut modeling concept and the evolution law of creative thinking,and locates its aesthetic function.This paper explains the modeling characteristics of Heilongjiang paper-cutting,and deeply studies the symbolic meaning,process techniques and performance style of paper--cutting modeling symbols,so as to show the external technical requirements and internal practical experience of the causes of paper-cutting modeling style.The fifth chapter takes the key creators of contemporary Heilongjiang paper-cutting as the research objects,based on the objectivity of the academic research of paper-cutting,combined with interview materials,focusing on the regional environment and cultural soil,strengthens the analysis of the deep-seated meaning of the image of the works,and fully discusses the artistic characteristics of paper-cutting in the context of today's social life,reveals the local cultural meaning,creative concept and aesthetic spirit hidden behind the paper-cutting modeling,and explores the phenomena and causes of the diversified development of contemporary Heilongjiang paper-cut modeling samples.