The Investigation And Research Of The Farming And Weaving Pictures Of The Dong Minority From The Perspective Of The Protection Of Intangible Cultural Heritage

The birth of Dong Cultivation and Weaving make the essence of intangible cultural heritag,and echoes the Cultivation and Weaving Map of the Southern Song Dynasty Building.The historical works are of great significance with the modern and contemporary intangible cultural heritage innovation of Dong and the inheritance of ancient and modern times.Yang Meixiang,the inheritor of the Sanjiang peasant painting,took the Sanjiang Dong painting as an expression form,recording the traditional weaving and farming techniques of the Dong nationality.Yang Xianrong,the inheritor of Dong traditional clothing,accidentally learned about the farming and weaving pictures of the Dong minority,and introduced the traditional Dong weaving and farming techniques through the farming and weaving pictures of the Dong minority.In terms of composition of the waving pictures of the Dong minority of the farming and weaving pictures of the Dong minority,line drawing is the main part.Each link of Dong Dong cloth production is the axis,with cotton thread making process,Dong cloth textile technology and Dong cloth dyeing process as the order,which fully shows the 18 processes of Dong cloth making and the 292 tools used.The coloring adopts the flat coating type painted by Sanjiang farmers,mainly with white bottom,highlighting the shape and production process of tools which makes people can clearly understand the quickly lost traditional Dong textile process,textile tools and the existing Dong clothing from each plate.The farming and weaving pictures of the Dong minority combined with24 solar terms,including plough preparation stage,planting topdressing stage,harvest into warehouse stage the dong farming and production and living habits of 18 plates,used during the tools,occasions and use fully show the dong farming culture,the whole picture use flat painting technique,make the composition,full and colorful.The whole painting is based on the color change of mountains and rice fields in spring,summer,autumn and winter from sowing to maturity in southern China.It focuses on the integration of scenery,things and things.Based on the the farming and weaving pictures of the Dong minority to promote intangible cultural heritage into the classroom,many primary and middle school students use extracurricular activities or interest classes to choose to experience peasant painting and dustpan painting;colleges and universities encourage students to experience traditional culture by setting up research bases.With the festival as the carrier,the farming and weaving pictures of the Dong minority and related intangible cultural heritage are promoted,supplemented by the establishment of societies and museums."Dong Tiangong" cultural scenic spot absorbs inheritors of intangible cultural heritage such as Yang Meixiang,takes the traditional Dong culture as the highlight and promotes development through tourism;cultural and creative products inspired by the Dong traditional culture contained in the farming and weaving pictures of the Dong minority promote local employment.