Research On The Creative Technique Of "Wind" Image In Qing Dynasty Royal Garden

Garden image is an important part of the classical garden system in China,which contains profound connotation of garden aesthetics.Many images with rich connotations have been repeatedly used in gardens,which play a vital role in the space construction and artistic conception aesthetics of classical gardens,and wind image is one of them.In recent years,more and more experts and scholars have participated in the study of landscape image,but the study of wind image with rich cultural connotation and unique aesthetic way is still relatively scarce.Most of the existing researches on the wind image focus on the traditional culture and philosophy,and a few of the academic achievements on the wind image from the perspective of garden only focus on the list and brief analysis of landscape examples,without in-depth discussion on the important role it plays in the construction of garden space.Based on this,the paper discusses the relationship between the wind image and Chinese classical gardens based on the development of the wind image,explores the aesthetic implication of the wind image in gardens from various aspects,and summarizes its creative techniques in the royal gardens of the Qing Dynasty through case studies.This paper mainly carries out research on the topic from the aspects of theoretical research,case study and conclusion prospect:Theoretical research: through the collection and arrangement of historical documents and existing research results,starting from the origin of the garden image,the inevitability of the garden wind image is proposed,so as to discuss the evolution process of the wind image from nature worship to poetry and prose and then to the garden image.Based on this,the cultural connotation and aesthetic way of the image of landscape style are deeply explored.Then,on the basis of studying the causes of wind image landscape construction in royal gardens in the Qing Dynasty,this paper analyzes the typical examples of wind image landscape in royal gardens from two aspects of conception and landscape acquisition,which lays a theoretical foundation for the subsequent research on their landscape construction techniques.Case study: The Qing Dynasty royal gardens in Beijing and Hebei are mainly selected as the research scope,and the wind image landscape examples related to the theme of this paper are only focused on,among which the most typical landscape examples are selected as the research subject.Landscape examples are classified from four landscape perception modes of touch,sight,hearing and smell.Based on the textual research of historical documents such as garden records and poems,on the basis of field visits and research on each landscape instance,From the historical evolution,site selection,spatial layout,mountain and water,architecture,plant configuration,plaque and couplets and other seven aspects of its space construction methods were studied,and the methods of each kind of garden were compared and summarized.Conclusion Outlook: Based on theoretical research and case study,through further combing and analysis,this paper summarizes the characteristics of wind image in the creation techniques of royal gardens in the Qing Dynasty.First of all,the purpose and demand of the owner of the garden are different,which affects the idea of the wind image landscape.Secondly,the different cultural connotation of the wind image affects the site selection and spatial layout of the landscape.Finally,the different aesthetic ways of wind image affect the organization ways of each garden elements.Through the summary of the specific creative techniques,summed up the conclusion of the article.In order to further enrich the theoretical connotation of the classical garden image theory,better inherit the excellent creative techniques of the royal garden in the Qing Dynasty,and make a certain contribution to the inheritance and development of the classical garden culture through the in-depth excavation and research of the wind image,a typical garden image.