Research On Architectural Practice Centered On Oriental Natural Experience

In the nearly 30 years of China’s urbanization process,the cold reinforced concrete building has become a monument to praise power and capital,and the examination of the relationship between man and nature has returned to the vision of modern society.Under the influence of Mr.Qian Xuesen ’s “Shanshui City” concept and in the wave of modernist architecture,MAD Architects is committed to creating sustainable,futuristic,and oriental organic architecture,and hopes to re-establish the relationship between man and nature through his works.Emotional connection.Based on analogy and combining my own on-site research and experience of MAD architecture,this article confirms that MAD’s architectural practice pays more attention to the reproduction of the oriental natural artistic conception and pursues macroscopic feelings and experiences.Through the abstract cognition of the oriental natural experience in the oriental traditional art form,we can determine that the natural artistic conception that people perceive through the architectural experience is the strongest factor in the oriental natural attributes.Thus,the generalization from phenomenon to perception is completed.Based on the comparison between MAD’s landscape city and Kengo Kuma’s particle architecture,combined with my on-site investigation and experience of MAD architecture,this article concludes that MAD’s architectural practice is a special case in the modernist architectural model,and it pays more attention to the east.The reproduction of natural artistic conception pursues macroscopic feeling and experience.Through the abstract cognition of oriental natural experience in oriental traditional art forms(such as landscape paintings,classical gardens,etc.),we can determine that the natural artistic conception that people perceive through architectural experience is the strongest factor in oriental natural attributes.Thus,the generalization from phenomenon to perception is completed.This article discusses the establishment of place spirit,deduction of natural elements,form and interface,space order,material and structure,and path and nodes respectively,and concludes that the interaction of these elements together creates a natural artistic conception in the place.Although the artistic conception perceived in this type of architecture is different in form from poetry,landscape painting,and classical gardens,it is aesthetically similar to "the environment is born outside the image".It is the spirit of true nature.Extraction is an abstract expression of natural elements,pursuing a natural artistic conception of "being made by humans,like the sky".Based on the above research on the elements of the place,combined with the internal logic of MAD Architects,this paper deeply discussed the place design strategy centered on the oriental natural experience,and put forward specific suggestions and methods that can be applied to architectural practice.Through the above research and analysis,it can be seen that in the architectural practice of MAD,both its design techniques and expression forms are intended to stimulate the experiencers’ associations and imaginations,and people’s perception of the natural artistic conception is also established in associations and imaginations.Become.This is similar to the blank art in traditional Chinese art and culture,and from this,the essence of the beauty of the oriental nature,namely "white space",is unearthed in the places centered on the oriental natural experience.Therefore,the blank space is the fundamental place to create the natural artistic conception.It gives the experiencer ample space for imagination and is the key to inspiring "the inexhaustible meaning and the inexhaustible".In the end,the full text hopes to construct an in-depth analysis from the individual to the world,with the oriental natural experience as the core architectural practice,and to provide new ideas for the future construction of architectural creation with Chinese characteristics in my country.