Research On The Application Of The Four Gods Patterns Of The Han Dynasty Eaves Tile In Modern Home Decoration

Since ancient times,the Han Dynasty tile has been the benchmark of Chinese tile culture,and the four gods tile is also the existence of the emperor superstar.Its vigorous and vigorous modeling style,unique composition form and exquisite craft level give people a strong visual impact,which has been explored and studied by the majority of scholars.In recent years,more and more design elements of the four gods of the Han Dynasty tile appear in contemporary art creation,as well as in home soft decoration.However,according to the summary of the data,the exploration of the re creation design and application of traditional tile patterns combined with modern aesthetic needs has not yet formed a relatively mature theoretical framework.Starting from the historical context of the four gods tile,this paper analyzes in detail the emergence and development,modeling composition,aesthetic and meaning of the four gods pattern of Han tile,highlights the important value significance of Han four gods tile,and also deeply understands the development of modern home soft decoration.Secondly,combined with today’s aesthetic concept of art,from the direct extraction of the four God pattern elements,decomposition and reconstruction,deformation and heterogeneous,and multiple integration of the composition,this paper analyzes the specific application of tile four God pattern in contemporary art creation and home decoration.Then,through the in-depth excavation of the cultural connotation of the four God pattern of Han tile,such as astronomical orientation,five element hue,blessing and auspiciousness,the paper reconstructs the design of the pattern with the rule of formal beauty,and strives to create a home decoration work that not only conforms to the modern aesthetic context,but also inherits and carries forward the traditional Chinese pattern.Finally,the author summarizes his own works,makes prospects for the development of modern art aesthetics of Chinese traditional patterns,and puts forward his own opinions.