| Yu Dafu became disillusioned with the guangzhou revolution and then broke away from the society.He was close to death in his heart.In order to survive,he tried to break out of the valley of despair and break out of the dilemma of life and creation.In order to create The Stray Lamb,yu dafu poured his life experience,changed his creative mode,and drew materials from Chinese and foreign literature.Yu Dafu’s novel The Stray Lamb has unparalleled complexity.The post-story Christian confession shows Yu Dafu’s desire to regret the past,escape from perdition,and resurrect.As Yu Dafu’s desperate attempt to survive,The Stray lamb,the first of the trilogy,carries his great artistic ambition and value expectation.The depth of the story implies Yu Dafu’s lost way of literature,morality and life.In order to break out of the siege,He reflected on his past life,repented his past mistakes,and wrote the novel The Stray lamb with an unprecedented complex psychology.True physiognomy of The Stray Lamb contains three aspects of Yu Da’s life:(1)the intellectuals of modern China who are divergent;(2)the lost lambs that created the division of the society until the division;(3)individual lives with miserable lives.Yu Dafu’s half-life lost stagnation caused too much bitterness and pain: Yu dafu spent the last half of his life on a lost track:He felt lonely and humiliated while studying in Japan;When he returned home,he felt very sad that his political career was not going well;He was stunned and pained by the cultural and social moral attacks in Shanghai;He was so desperate because he was poor that he had to give up writing to make money;He was terrified to pursue Wang Yingxia at the expense of his family;He was disheartened by the disagreement and division with Chuang Zaoshei.Under the constant impact of the dark reality,Yu Dafu had to release the inner knot in his creation.When he repeatedly wrote the travel story of the "zero odds",the sadness of the wandering in the depth of the text became heavier and heavier,and gradually emerged on the surface of the story.When the dark life of the stray pain to the extreme,The Stray lamb was born,"zero odds" turned to "stray lamb".Yu Dafu wrote The Stray Lamb with almost all his life experience and unprecedented complex psychology.At this point,the dark life of the stray pain to the extreme,"zero odds" also evolved into a "stray lamb".As a profound self-understanding of Yu Dafu," stray lamb" runs through the writing from The Fall to The Stray lamb,and " stray lamb" also represents the reproduction and completion of Yu Dafu’s self-image.The text of The Stray lamb is closely related to Japanese literature,German literature and traditional Chinese novels and operas."The Stray lamb" acquires a literary mirror image from the Japanese modern novelist Junichiro Tanisaki’s Infatuated Love,and acquires the spiritual skeleton in the Natsume Soseki trilogy Sanshiro,Later Things,and Gate.Yu Dafu’s "Trilogy" project was also influenced by Japanese writers Futabatei Shimei,Tayama Katai,Mori ougai,Shimazaki Fujimura and others.The love story and "sin" writing in The Stray lamb bear the obvious shadows of Goethe’s The sorrows of Young Werther.The original version of The Stray lamb comes from Chinese ancient novels and operas.The story of The Stray lamb is derived from the ancient novel Selling Hu Fen Nv and its adapted opera.It draws on the elements of "third-party stories","men and women love story routines","sign language and persuasion" in ancient Chinese novels.During the interruption of the creation of The Stray lamb,Yu Dafu completed The Past,which is called the "boundary monument" of creation.The Stray lamb not only influenced the writing of The Past,but also was the beginning of Yu Dafu’s "boundary monument".The deep life look back and life demand of The Stray lamb has made the text rich in content and complex emotions like never before,which is a strong stroke in Yu-style novels. |