The Research Of Kylin Dance In Sui County

The Kirin dance in Suixian Was originally a blessing entertainment item for the Ming Dynasty court,and after the death of Emperor Ming Chongzen,he was taken to the court of Nanming.In 1661,Nan Ming was destroyed,and Feng Wei,who was the Wen Lin Lang,returned to the shadows,giving a pair of Kirin belts to the Feng clan in his hometown（now the town of Liaodi in Shangqiu County）,and personally performing the art of dance.Since then,the Kirin dance generation in Ming County spread in and around Shangqiu County,Henan Province,which is a central plains area with strong ethnic folk art roots.It can be said that the formation of Kirin dance in Suixian County is the crystallization of the fusion and accumulation of the history of the court music and dance and the Central Plains folk culture.It has experienced a long process of social development,the integration of music,martial arts,acrobatics and other multi-sister art,while integrating into the local folk beliefs,and gradually formed their own unique performance style,and eventually became a dance with distinct regional characteristics.In this paper,the Kirin dance in Suixian is the research object,the anthropological research method,by combing the origin and historical evolution of Kirin dance in Suixian County,recording its prop production and performance action,exploring the law of the morphological characteristics of Kirin dance body,and then excavating its cultural connotation and artistic spirit.There are four main parts to this article.The first part,by consulting feng’s family tree,Qixian zhi,Kirin myth and legend of the record,explore the link between the Kirin dance and the Central Plains farming culture,while combing the history of Kirin dance and its north-south geographical distribution characteristics,explore the deep cultural connotation of Kirin dance in Sui Xian County.The second part,through the study of the production of props,music,performance content and performance customs,excavates its performance form and characteristics,thus summing up the unique cultural connotation of Kirin dance in Suixian County.The third part,based on the intangible cultural heritage protection vision of the current situation of Kirin dance in Suixian County investigation and analysis,summarizes the existing situation of the Kirindance team in Suixian County and the difficult situation of inheritance,put forward a "re-creation" of new development ideas.The fourth part,through the analysis of the Central Plains area of the fire god worship faith under the "Qu ji" thought,sum up its cultural characteristics and social functions,further explore the connotation and extension of the people’s auspicious culture,transmission of the birth of the national spirit.