In the middle and late Ming dynasties,the world was prosperous,the market economy was prosperous,and the calligraphy and paintings were widely circulated.Inscriptions and postscripts have become a genre,and they are also included in the essays.The inscriptions of calligraphers are mostly presented on the famous paintings of French calligraphy,which has a more intuitive expression.This article takes the inscriptions and postscripts of tablet inscriptions in the middle and late Ming Dynasty as the object of investigation.With the great collection of calligraphy and painting in the middle and late Ming Dynasty,the calligraphy and calligraphy and calligraphy and calligraphy and calligraphy descriptions were also held for a while.The diversification of the inscriptions and postscript cultures,quotation,copying,inscription,and compilation are all products or inventions of the time,and the inscriptions and postscripts have become the historical materials of calligraphy.In order to study the calligraphy and painting life of the literati and the literati,such as the collection of legal books,writing entertainment,study utensils,writing situations,etc.,from the Ming Dynasty calligraphy and painting.The style of inscriptions and postscripts is flourishing,and the social functions contained in the inscriptions and postscripts of Ming people’s steles are also reflected.The exchanges between literati and merchants reward each other.The presence or absence of inscriptions on the tablet is also closely related to the transaction in the calligraphy and painting market Scholars and merchants who have the heart to shoot profits,ask people to postscript or split the text,make up fake,and do everything possible Therefore,we pay attention to the rhetorical problems arising from social functions and effects.Then,from the calligraphy methods,contents,and forms of calligraphers in the middle and late Ming Dynasty,we can observe the creation of calligraphy in writing. |