The Studies Of Aesthetic Modernity About Image Narrative In Wang Zeng-qi’s Novel

This article will take Wang Zeng-qi’s novels as the starting point to explain the modernity of Wang Zeng-qi’s novels.This includes three aspects: the origin of imagery narration,the subject of imagery narration,and the narrative function construction of imagery narrative.The first chapter mainly discusses the origin or characteristics of imagery narrative.The author will consider the two evolutionary dimensions of these two factors from the perspective of western modernist theory and localization,and Chinese literary tradition and modernization.The first is the exogenous nature of imagery narrative,that is,the Western modernist literary theory represented by symbolism and its localization process,which provided new novel forms,techniques and in-depth content for Wang Zengqi’s imagery narrative.Novel techniques such as stream of consciousness and ultimate inquiry into the meaning of human existence;The second is the nationality of imagery narrative,that is,the lyrical tradition with Chinese poetry as the main carrier and the narrative tradition with prose as the main carrier.The Chinese traditional imagery narrative is the product of the "hybrid" of the two literary traditions.They are in Wang Zengqi’s novels.Image narrative provides a wealth of cultural resources.Since modern times,the modernity of lyrical tradition and the modernization of narrative tradition have taken place separately,and have produced a synergy,which has changed the narrative mode and lyrical content of Chinese novels,providing a literary basis for the emergence of imagery narrative in Wang Zengqi’s novels.The second and third chapters are mainly based on a large amount of text analysis to investigate the modern significance of the imagery narration in Wang Zengqi’s novels.The second chapter discusses the modern significance of imagery narrative from the content of the novel.The author divides Wang Zengqi’s novel narrative subject—narrative imagery into four categories: natural imagery,social imagery,folk imagery and cultural imagery.The purpose is In order to show that these narrative images are the constructive subject of aesthetic modernity,the meaning refers to Wang Zengqi’s thinking about the existence state of human life,and it is one of Wang Zengqi’s ultimate care for the ultimate value of man.The third chapter starts from the form of imagery narrative,that is,the function construction of narrative imagery in the text,to study the modernity in Wang Zengqi’s novels.By discussing the condensing and turning function of imagery narrative in constructing the plot structure of novels,it expresses the formal modern significance and critical aesthetic modernity of metaphors in Wang Zengqi’s novels.The role of "meaning gathering point" expresses the modern significance of the novel,so as to demonstrate that as a form of modernity,the imagery narration in Wang Zengqi’s novels can still be used as one of the writer’s characteristics of "ultimate care".