A Preliminary Study On The Playing Version Of The BWV807 Of Bach’s English Suite

J.S.Bach’s British suite BWV807 was created in the 1820 s.It is the second British suite for a certain British aristocrat.It consists of six parts: Prelude,alemand,kurante,salaband,Brett and giggle.The overall style is elegant and dignified,with a trace of melancholy.In the process of practice and performance,the author used Glenn Gould,Andras Schiff,Anatole Ivanovich vidnikov,Bertrand Cuille.The four versions are used as models to draw effective experience from touching keys and playing methods,playing marks and clauses,speed and strength,and apply them to performance practice,so as to better understand and grasp the style of works,reasonably deal with bachgu suite works,and enter Bach’s music palace.This paper takes the performance version of Bach’s British suite BWV807 as the research object,and the research content is mainly divided into four partsThe first part is about Bach and his works.It briefly discusses Bach’s life,main works and the background of BWV807;The second part is the ontology analysis of BWV807,which mainly includes the analysis of the structure and style of the works;The third part is the analysis and comparison of different versions of BWV807,mainly including Glenn Gould,Andras Schiff,Anatoly Ivanovich Vedernikov and Bertrand Cuiller;The fourth part is the performance analysis of the British suite BWV807.Through the analysis of the beneficial experience of different versions in the third part,it summarizes the differences between the four versions in touch and playing method,performance mark and clause,speed and strength,so as to analyze the performance skills and provide effective experience and beneficial ideas for learners.