Analysis Of The Style Structure And Performance Of Bach's "French Suite No. 1 In D Minor"

In the Baroque era,keyboard music presented rich and diverse development,among which the Baroque dance suite form became one of the best and most comprehensive instrumental music forms in this period,and as the predecessor of sonata and symphony,it became a very important part in this era.Johann Sebastian Bach--the great composers of the birth of this period,in all his works,the keyboard dance suite occupies very important position,his life he wrote three sets of keyboard suite,"the French suite" is one of the earliest set,it embody a concentrated reflection of traditional dance style,showing the Bach of 2-phase dance unique master suite form creation.The great humanitarian and musicologist-Albert Schweitzer,wrote in his 1911 biography of J.S.Bach,“What the average amateur of the present day lacks in theoretical musical education is supplied for him by these works of Bach”.“Unconsciously imbibes certain principles of thematic formation,of part writing,of modulation and of construction,and from which he acquires a certain unconscious critical faculty,that protects him against inferior art.”Therefore,the exploration of suite form is an indispensable and important content for learning keyboard music.Bach's French Suite,originally probably for the harpsichord,is now played on the modern piano,which provides many benefits for learning Bach's more complex music.therefore,this paper selects the most typical French Suite in D minor in six groups of "French" suite as the research object,analyzes the creation background,style,structure,performance and other aspects,so that we can get closer to Bach and his works,and have a new understanding of the solemn and solemn Bach's works in the stereotype,and get a deeper understanding of this form of Dance Suite To master the performance method of Dance Suite and better interpret and interpret the works.