From Liszt To Debussy

This paper takes the author’s degree concert as the main research object,starting from the theme and orientation of the degree concert,focusing on the comparison of Liszt’s "Deuxieme Annee Italie" and Debussy’s "L’isle Joyeuse",and tracing the inheritance of the impressionistic piano music style inherent in the study of the technical difficulties and performance techniques I encountered in the course of my professional practice.From Liszt to Debussy,the two have taken a successive turn in terms of aesthetics,technique and performance,reflecting the exchange and inheritance between the Romantic and Impressionist schools of music.Finally,the author discusses the organization and implementation of the concert,and brings the reference value for others with his personal experience in piano performance.