A Study On Image Performance In Tomus Oil Painting

Since the art of oil painting began to popularize in China around the20 th century,a large number of young painters have promoted the development of Chinese oil painting on the basis of the traditional Chinese aesthetic thought along with drawing on the advanced western culture and aesthetic thought after adhering to the artistic viewpoint of "focusing on the Chinese school and learning from the west in the application".After the founding of New China,the domestic culture and art have ushered in a short spring,then the local oil painting development has been in a slow or even stagnant state due to the influence of the ten-year "Cultural Revolution".Besides,culture and art also ushered in a second spring with the pace of reform and opening up.As a representative national oil painter since the reform and opening up,Tuomusi’s oil paintings mostly set the Mongolian grassland as the object to convey his profound national feelings and respect for traditional culture.As a Mongolian,he took the formation of the unique national image from ancestors one thousand years ago,put daily nomadic life and philosophy through oil painting on the canvas.As a Chinese,he uses the philosophical and aesthetic thoughts of traditional culture to examine the world from the aesthetic perspective of traditional art and integrates them into his oil painting works.This topic takes the "image" in traditional Chinese culture as the starting point,it combines the image data and theoretical works of Tuomusi’s oil painting to introduce and study the traditional Chinese philosophy,aesthetics and artistic concept reflected in his oil painting art.Meanwhile the subject consists of three parts.The first part introduces the background of the topic,the main content and methods of the research,as well as the purpose and significance.The second part explains the concept of "image" and its meaning in philosophy and aesthetics.Combing his study experience,the influence of teachers,the process of self-shaping,and how the images in his oil paintings are presented.The third part provides reference significance and value to the nationalization development of Chinese contemporary oil painting by studying and summarizing the images in his oil painting works,also the enlightenment to young artists and authors in the new era by thinking about his oil painting works.In a word,what Tuomusi presents in his oil paintings are not only paintings with Mongolian ethnic customs,but also the inheritance and development of traditional Chinese philosophy and aesthetic thoughts.Therefore,this topic will re-interpret his oil painting works from the perspective of "image".Under this background,in the process of promoting the further development on the nationalization of Chinese contemporary oil painting,Chinese oil painting will create more art works that are in line with the public’s aesthetic appreciation and keep up with the development of the times.