On The Narrative Spirit Of Old Stories Retold

Narrative spirit is a rather abstract concept.It is a kind of value orientation expressed by the form of narration in the narrative form constructed with language symbols,and the literary spirit displayed through the deep structure of the text in this process.From the perspective of narratology,this paper takes the historical narration of new stories as the research object,and explores the modern imagination and value reflection of people and things in the novel,which are transferred from the historical context to the folk daily life,and involved in the author’s subjective experience.The imaginative space of the text comes from the deep history,in which Lu Xun found the folk thinking,which constitutes the stable external essence of the narrative spirit of the new edition of stories.It is Lu Xun’s reflection on the value of history and the present,and it is also the core of the narrative spirit.First of all,the first chapter mainly discusses the composition of imagination space in the external form of text narrative spirit.From the perspective of text resources,the novel text is based on history,but history is also a kind of rhetoric.Both the collective and the individual can pour into the imagination of modernity,and find a new explanation of the historical gap from the mythological system and the classics,which constitutes the original resources of narrative imagination.From the perspective of language expression and image construction,text narrative can not do without language and image From the perspective of reading psychology,the new story focuses on dispelling the traditional history,breaking the psychological level of reading expectations,so as to form a new reader’s imagination in narrative.Secondly,the second chapter of this paper is based on the formation of text imagination space.The overall narrative of the novel points to folk thinking,which is the structural characteristics of narrative spirit.The purpose of this paper is to show that the narration of the new edition of stories breaks into history in a folk state.Starting from the folk,the historical characters and daily life in the novel have folk color,and even the family and individual desire for survival that disappeared in the grand history are restored one by one with modern details in the text.This paper studies how the modern folk posture becomes possible in history,and presents the characteristics of folk thinking in narration.Finally,the third chapter is to explore its spiritual orientation,which is the core of narrative spirit and the expression of abstract consciousness based on the concrete form of the previous text.The core of the narrative spirit of the new edition of stories is expounded in two aspects.First,in the suddenly descending holy world,mirror thinking intervened in the orthodox history to form a deconstructive attitude,which led to the richness of narrative spirit;Lu Xun’s thinking on the relationship between history and self also intervened from a reverse perspective,finding the modernity of modern people in the traditional history and examining the holy history at the edge.The second is the edge consciousness in the edge position,which is reflected in the "new stories" is the structure of spiritual escape.Combined with Lu Xun’s personal experience,it is the emotional experience of a stranger on the earth.Lu Xun’s modern thinking of history is the sense of marginality that comes from his sudden decline of distrust of history.Because of this,Lu Xun gained strength and resources from history in the modern context,and had a unilateral dialogue with history in a modern folk attitude.In this way,Lu Xun had a critical attitude towards thousands of years of orthodox history,and thus found his own value position of historical thinking in this narrative spirit.