An Exploration Of Tujia’s High Tune Singing Art

In the first part of this paper,through literature research,the origin and development of Tujia Gaoqiang art are summarized;The second part of the article starts with Wang Yuanping’s artistic life and three Tujia high pitched songs-"women in the mountains shout the sun","Xiajiang love song" and "Eighteen bends of the mountain road",and analyzes the background of the songs from the aspects of the creation environment,the creation customs and emotional expression.This paper analyzes the application of "Tujia Gaoqiang" in Wang Yuanping’s works.The third part of the article analyzes the use of "Tujia Gaoqiang" in Wang Yuanping’s works.The fourth part of the article starts from two aspects: mode and form.This paper makes a musical analysis of Wang Yuanping’s three Tujia high tune songs.In the fifth part of the article,the author explores the artistic perception in three of the works from two aspects of language characteristics and emotional grasp through his own singing practice,and thinks that the Tujia high pitched songs need to deeply understand the dialect characteristics and pronunciation characteristics of Tujia people when they pronounce and pronounce,and accurately express them in singing.At the same time,dialect pronunciation is not only the focus of singing techniques,but also an important form of emotional characteristics of high pitched songs.In the process of performance,singers need to understand the regional singing techniques of Tujia,such as "ghost sound","Huo sound","Baa Baa tune",so as to accurately grasp the singing techniques and emotions of the songs.This paper not only summarizes the origin and development status of high pitched singing,but also analyzes the creation background,tonality and musical structure of high pitched singing combined with specific cases,and explores the artistic perception of high pitched singing combined with my own singing practice.It not only summarizes the previous research results,but also integrates my own practical results,enriches the previous theory,and has a guiding role in the practice of high pitched singing,which has a certain degree of innovation.It has certain theoretical guidance and practical significance for the study of the inheritance and development of Tujia Gaoqiang singing art.