A Study On The Style Of Snow Landscape Painting In The Middle And Late Ming Dynasty

In Landscape painting in the middle and late Ming dynasty played an important role in the history of Chinese painting.In this period,there were many schools of painting and diversified styles of painting.By comparison and statistics of the number of paintings passed down,time with the most paintings and activities of artists,it was found that snowscape painting was prevailing in the middle and late Ming dynasty,which was further studied.This paper starts with the inheritance and development of snow landscape painting in the middle and late Ming Dynasty.The snow landscape painting in this period inherited Wang Wei’s painting style concept under subjective imagination.For the Jiangnan painting style represented by Dong Yuan and Ju Ran,it influenced the development of snow landscape painting techniques and expression forms in the middle and late Ming Dynasty.Landscape landscape in addition to the later period of Ming dynasty,on the basis of inheriting traditional,some of the characteristics of its own has profound impact on the development mid and late Ming dynasty snow landscape painting style: the bureau of instability leads to a large number of scholars,he prowled the Gao Shiai snow thought arises,economic boom driven snow landscape paintings commercialization,literature and culture to the description in the late of yangming philosophy.Under the influence of social and political environment and other factors,snow landscape painting became the true portrayal of the minds of scholars in this period,and finally formed five style characteristics: after Dai Jin of Zhejiang School,snow landscape painting with extensive freehand style headed by Wu Wei;Snowy landscapes and landscapes represented by Tang Yin and Qiu Ying combined with academic style paintings and literati paintings;The real snow scenery and landscape of the heart and the object are compatible and immersive;Quite elegant wind of heavy color snow landscape;To express the poetic poetry of Tang people’s snow scenery and landscape.On the basis of inheriting thousands of generations,the snow landscape paintings in the middle and late Ming Dynasty developed the poetic directivity contained in the snow landscape,and also developed the essential characteristics of the snow landscape,which influenced the development of modern and contemporary Chinese snow landscape paintings.