Study On The Aesthetic Form Of Painted Porcelain Plant Pattern In Jingdezhen Imperial Kiln Of Yongzheng In Qing Dynasty

Plant pattern has been greatly developed in the Yongzheng royal ceramics in Jingdezhen in the Qing Dynasty,forming a unique artistic and altruistic ideal and style.In this paper,the causes of transmutation,profile,aesthetic distinction and style formation of plant pattern are discussed in order to understand the change rule of aesthetic form and aesthetic personality style of plant pattern.The symmetrical balance of plant lines,the concomitant momentum,the coexistence of the virtual and the real,the interdependence of the move and quiet for aesthetic distinctions,and the royal court,the literati,the freehand and the symbol for the styles of plant pattern from the aspects of aesthetic profile and aesthetic personality presentation are summarized in this dissertation uses a literature search,on-the-spot investigation,image studies,study the similarities and differences.The causes for the becoming of the beauty-appreciation mode of plant patterns and its relationship of the inheritance and development with the previous patterns,the similarities and differences with other plant patterns of arts and crafts are analyzed in this paper.This thesis has very important theory value for the doctrine study of china beauty-appreciation and modern ceramic creation and design,and helping to build a new aesthetic view of modern design with national characteristics.