| The "Mono-ha" is not only an important node in the history of Japanese modern art,but also the only Oriental modern art school that can be compared with western modern art.In the face of the modern art trend dominated by the West,the "Mono-ha" raised its own doubts and reflections.There are many similarities between the development of modern art in China and Japan.In terms of how to face the cultural collision between East and West,China today and Japan at that time still have a similar situation.In this paper,the spatial expression of "" Mono-ha "" as the breakthrough point and focus on the research object,as an artistic creator to re-understand and understand "Mono-ha",around the theme of "space" and combined with the author’s specific works to expand the discussion.It is hoped that through the study of the development track of "Mono-ha",in handling the commonalities and differences between the eastern and western art,how to strike a balance in the native culture and foreign culture collision,how in the status quo of contemporary culture with its own cultural tradition to seek for the issue of combining site,tease out solutions with reference value. |