| The keynote of Wuhan Literature and Art in the 1930 s was dim,but there were some bright colors.The reasons leading to this situation are complex and structural,and are the result of comprehensive intertwining causes in the process of modernization of relatively backward areas.The first is that the level of modernization in Wuhan was relatively low.Urbanization,industrialization,and marketization are underdeveloped,which lowers the "ceiling" of Wuhan’s Literature and Art and limits its development space.Secondly,the modernization process of modern China has been accompanied by the national crisis,which has further deepened the complexity of China’s modernization process.This means that literary and intellectuals must not only face the set of contradictions between tradition and modernity,but also face the nation and the individual.This set of contradictions.In fact,not all people can perfectly balance these sharp and complex contradictions,and it is normal for people to follow each other.The new style of poems fever embraced and wrote the new style of poems,while the national defense literature fever embraced and wrote the national defense literature,and most of them were unqualified.After the trend,there was only one feather.Some talented writers are also constrained by ideological confusion,which cannot be fully exerted.In addition,Wuhan’s Literature and Art are not fully qualified,and they have to bear great responsibility.Wuhan’s various fields of Literature and Art are seriously losing points in their professionalism and organization.Moreover,they consider themselves too high and blindly reject market behavior.The process runs counter.In the end,strict political control is also an important reason for restricting the development of Wuhan’s literature and art,and the development of Wuhan’s drama business has suffered greatly.Of course,the dim Wuhan literary and art circles are not unsatisfactory.Those who truly love art and literature are just a touch of bright colors.They are like fireflies in the night,although they are small but not to be ignored.The first chapter discusses the external status quo of Wuhan Literature and Art in the 1930 s.It mainly focuses on the content of literature and art carriers,Literature And art infrastructure,literature organization and style,and reproduces the external challenges encountered in the development of Wuhan literature and art from a macro perspective.The second chapter discusses the internal status quo of Wuhan Literature and Art in the 1930 s,mainly focusing on the ideological trajectories of liberal intellectuals,right-wing intellectuals and left-wing intellectuals.I want to further study the ideological confusion of literary and artistic creators and the dilemma of Wuhan’s literary and artistic development.Deep connection.The third chapter explores the deep-seated reasons that led to the predicament of Wuhan Literature and Art in the 1930 s,including the strict control of the authorities and the imperfect market environment.The "visible hand" and "invisible hand" jointly operated Wuhan.This "puppet show" of literature and art.The fourth chapter discusses the advancement of Wuhan Literature and Art in the 1930 s,mainly focusing on the content of outstanding young writers,outstanding literary and artistic works,and literary and art unions,showing the other side of Wuhan literature and art from a micro perspective. |
