Study On The Development Path Of Dai Ritual Music Culture From The Perspective Of Industrialization

"Ritual Music ",as a special sound art,has the dual attributes of social function: religion and secularity,that is,the most efficient and widely spread mode of religious activities,as well as the daily activities of mass festivals and funerals;it also has the functions and functions of cognition,education and aesthetics as the music art itself,that is,washing the mind,establishing consciousness and the outlook on life and art far from the world.Due to historical and geographical factors,the Dai music culture in Yunnan Province in southwest China has become an extremely special existence: the development of national policy guidance,cross-border ethnic traditions and regional religious autonomy.Therefore,there is no doubt that Dai traditional ritual music has experienced "guarding" and "changing" in the reconstruction of the new social environment and modern communication channels.Dai ritual music,as the source of related cultural and creative industries,plays an active role in the inheritance and development of social economy and folk music culture.As a kind of music culture element with mysterious color and ethnic characteristics,the current transformation and communication path of cultural and creative industries need to be studied and explored.The purpose of this paper is to analyze the current situation of Dai ritual music culture,to explore the development path from the perspective of cultural and creative industry,and to bring reference value to the development of similar music culture in China.This paper is divided into four chapters: chapter one,first of all,the history,religious and cultural background,specific classification of Dai ritual music,chapter two,through field investigation and literature analysis,the development of Dai ritual music culture and the application of resources.