Internalized Nature

Sight,touch,taste,smell,hearing and other senses bring us rich experience in cognition of the world,while eyes bring us the most intuitive and visible visual experience.Painting creators is one of the observer of the world,they again by observing the objective world subjectivity works,and to create works that can be seen as the image,the image’s main purpose is to be regarded as a kind of perception,the transfer from filling in perceptual material source(painter),reach a desire at perceptual meet the reception site(the viewer).Painting creators face a variety of problems in the process of painting creation.The most prominent problem is how to find the balance point between the expression of subjective feelings and the visual cognition of ordinary people.The essence of this problem is how to deal with the relationship between subjective consciousness and objective reproduction in painting creation.Ancient legends affirm the great and glorious task of painting: it is to depict everything,and whatever man would like to see.The problem lies in the task being performed--its performance.This paper mainly analyzes and studies the subjective consciousness and objective reproduction in the creation of painting.Based on the representative works of domestic and foreign painters,it analyzes and appreciates them.Combined with the thinking and perception in the process of creation,it discusses the relationship between subjective consciousness and objective reproduction in the creation of painting.The article is divided into four parts.The first part is about the meaning and relationship between subjective consciousness and objective representation in painting creation,and discusses the relationship between the subjective creation of the creator and the subjective interpretation of the viewer.The second part mainly analyzes and explores the expression forms of subjective consciousness and objective reappearance in painting creation,and discusses the expression forms of them in modeling concept,picture order,virtual and real and color expression,so as to further understand the presentation of subjective consciousness and objective reproduction on the picture.The third part is to compare the subjective consciousness and objective representation in Chinese and western painting,taking typical artists as the representative for research and analysis.The fourth part is my thinking and practice of subjective consciousness and objective representation in oil painting.Through research and analysis,I have come to realize more and more clearly that in the process of oil painting,the balance between subjective consciousness and objective representation has been established in your heart when you first face the objective object,and it has a deep influence on everything from viewing to expression to the transmission of perception.Only after continuous polishing can individual subjective expression rise into a collective memory with social nature,and the formation of this collective memory is obtained in the contrast and trade-off between numerous subjective consciousness and objective reproduction.