| In modern society,information culture is diversified and integrated while artistic and cultural exchanges are becoming increasingly frequent,in which case people’s aesthetic ideology is also becoming more diversified.Art is no longer independent of each other.On the contrary,it is growing with continuous reference,continuous integration,continuous development.In order to enrich their techniques of expression and art forms,modern Chinese painting is also actively learning from other art forms of painting in the process of transformation and development."Clashing water or color" is a new way of expression.Not only does it draw the essence suitable for its own development from the traditional Chinese painting techniques,but it also learns from as well as integrates Eastern and Western painting techniques,making the expression form of "Clashing water or colliding color" in modern Chinese painting develop toward a more mature and diversified direction.This paper starts with the characteristics of the application of "Clashing water or color" method in various kinds of paintings.First of all,at the beginning of this paper,the author briefly and clearly introduces the background,purpose and significance of the research,followed by the main topic.The traditional Chinese painting is the solid foundation of the development of Contemporary Chinese Painting.The author first analyzes the main characteristics of traditional Mogu painting and the "Clashing water or color" method in Chinese Fine Brushwork painting,and then analyzes the diversified expression of the "Clashing water or color" method used in Modern Chinese Painting with some examples.Next the author presents the influence of the other painting techniques on "Clashing water or color" method in Contemporary Chinese Painting,as well as the reference and benefits of "Clashing water or color" method in Contemporary Chinese Painting gets from other painting forms.From the research the author attains a new artistic conception the "Clashing water or color" method for Contemporary Chinese Painting.Finally,the author makes prospects and expectations of the future direction and development of Contemporary Chinese Painting.In the plural aesthetic ideology,Contemporary Chinese Painting bases itself on the background and spirits of the times,constantly promotes the development of contemporary Chinese art to be more mature,more diverse,and constantly innovates new schools of art. |