Xiwu Gao Qiang Of Wu Opera Music Research

Wu opera is a multi-voice drama composed of six louds:Gaoqiang,Kunqu Opera,Mixed Tune,Tanhuang,Hui Opera tune,Shidiao Opera.Xiwu Gaoqiang,as one of Wu opera high-leverl operas,also occupies a position in the Wu opera operatic tune system,which is popular in Jinhua,Lanxi,as far as eastern Jiangxi and southern Anhui.Because it once opened a class in Xiwu Village,Jinhua,it is called “Xiwu Opera”.The in-depth study of Wu opera Xiwu Gaoqiang can provide reference and reflection for the sutdy of Wu opera Gaoqiang and other operatic tune.It can also provide information and reference for the study of local culture,folk customs,humanities,etc.So as to better dig out the humansistic and artistic value,social value and cultural value of Wu opera,further promote the artistic inheritance of Wu opera Xiwu Gaoqiang,provide ideds for future inheritance protection,and have great significance for the study of the Xiwu Gaoqiang.This essay uses the comprehensive research methods of history,opera,music morphology and folk music to carry out a special study of Wu opera Xiwu Gaoqiang.The full text is divided into five parts,each of which is divided into an introduction and a separate conclusion.From the aspects of history,singing language,music form,music plate contrast research,thehistorical foerm,singing dialect,music form,music category contrast analysis and play White Rabbit in Wu opera Xiwu Gaoqiang are preliminarily sorted and explored.The first part is the historical traceability of the Gaoqiang.From three aspects : the historical transmutation of the Gaoqiang,the historical trajectory of Zhejiang Gaoqiang,and the development process of Wu opera Gaoqiang,this essay briefly discusses and sorts out the historical context of Gaoqiang and Wu opera Gaoqiang and the historical and cultural background produced by the Gaoqiang,And analyzes the contemporary situation of Wu opera Gaoqiang.The second part discusses the singing and language relationship of Wu opera Xiwu Gaoqiang.This study is carried outfrom three aspects: the characteristics of Jinhua dialect,the singsing languagge of the Xiwu Gaoqiang,and the relationship between operatic tune and speech.Compare the vowels and tones of Putonghua and Jinhua dialect,analyze the “vowel tone relationship” in the relationship between speech and words through relevant genealogy examples,analyze the tone and tone relationship between the singing words of the Xiwu Gaoqiang,Then summarize its general rules.The third part focuses on the analysis of the music form of the Xiwu Gaoqiang.Start from the aspects of the Gaoqiang string decoration of the Xiwu Gaoqiang,the structure of the music card,the singing tune of the music card,the charactersics of the tune and the accompaniment of instrumental music,analyze the structure,melody,card style,tonal style,type of music with specific examples to refine its artistic form.The fourth part is compare and study the songs in Wu opera’s Gaoqiang.Choose[Jiangtou Jingui] and [Zhuyun Fei] to discuss the relevant of the Xiwu Gaoqiang and other Gaoqiang of Wu opera to discuss the musical similarities and differences between their same music cards.The fifth part takes the traditional drama White Rabbit of the Xiwu Gaoqiang as an example.From the perspective of the plot overview,singing lyrics and music structure,the music of the Xiwu Gaoqiang music is further excavated and briefly summarizes its musical and artistic characteristics.The final part summarizes and summarizes the artistic characteristics of the Xiwu Gaoqiang through an analysis of the Xiwu,the relationship between music forms,etc.