MFA’s Dissertation Of Sichuan Fine Arts Institute

This paper mainly studies the outline and the color techniques form of expression in ink figure painting,based on the existing form characteristics,this paper focuses on the analysis of the outline and the color techniques form of expression in ink figure painting and the expression of Western hue theory.At the same time,the traditional ink figure painting represented by Chen Hongshou and Ren Bonian and the traditional ink figure painting represented by Jiang Zhaohe,Huang Zhou,Li Wenxin,Fang Zengxian Liu Wenxi and other people as the representative of modern ink figure painting as the context of outline and the color technique.In order to outline and the color technique to start a new language exploration,and to their own works as an example to elaborate.Outline and the color technique is an indispensable painting technique in Chinese painting,even in the field of porcelain and sculpture,so it is necessary to study the characteristics of this technique in different periods and different painters.Through the study of different periods of ink figure painter’s outline and the color technique characteristics,this paper systematically combs outline and the color technique with pen.This paper not only studies the strokes used in outline drawing,but also analyzes the strokes used in modern ink figure painting.The exchange and integration of Chinese and Western cultures,the development of modern information and the rich colors in real life all have an impact on modern people’s aesthetics.This aesthetic trend also leads to different characteristics of modern ink figure painting As a result,the sketching method is no longer limited to the traditional 18 strokes.Instead,the sketching double line sketching method,the chapped line formed by dry rubbing with burnt ink,and the sketching method with a slightly freehand brushwork brush for flower and bird painting have emerged.In terms of coloring,it has also broken through the flat painting and light shading and light dyeing in traditional ink figure painting,and began to pay attention to the use of strokes and the expression of body,such as Jiang Zhao Huang Zhou wrote in a large amount,combining sketching with freehand brushwork,and painting with ink.Fang Zengxian used the traditional Shanghai flower and bird painting techniques to show the lump structure of the characters,while Li Wenxin used the contrast between the color block and the blank space to show the concave and convex undulation of the clothes,while Liu Wenxi absorbed the characteristics of the Western stippling school to show the pattern The color is given in the form of dots and blocks.In my personal creation,I combine the western color theory with outline and the color technique of ink figure painting,use the stroke to express the figure’s shape,make the picture harmonious and unified through the subjective processing of natural colors,use a large number of intermediate colors obtained after reconciliation to express the scene,and use the line method of combining the fly white line with the line surface to outline the structure of the object,while the coloring depends on the line surface The combination of brushwork constitutes the structure of the characters,so as to form a harmonious relationship between the painting and the use of brushwork.