Analysis Of The Color Concept In Contemporary Freehand Figure Painting

As one of the manifestations of color painting, since ancient times people's attention, but in the course of development impressionistic portraits of it long-term in a state of suppressed, traditional Chinese ink painting heavy and light color ideas still affect a large number of freehand figure painter. Since the reform and opening up, with the liberation of thought and Western painting color theory, the contemporary freehand figure painter began to pay attention to the color of. They are based on traditional ink culture on the absorption of other kinds of painting to explore the successful experience in color reference, in his works continue to explore the use of new materials, to their own unique painting language in order to find, explore and promote the development of freehand figure painting color, the freehand figure painting show a new realm with the spirit of the times.This paper is divided into three chapters: the first chapter from the three aspects of traditional painting color culture, western color concept and folk art to analyze the contemporary freehand figure painting form color view; the second chapter is mainly from the material, skill and form of these three aspects, elaborates the diversity of contemporary freehand figure painting performance; the third chapter selects a relatively large impact on the contemporary freehand figure painter, based on the detailed analysis of their works, to explore them in the creation of the pursuit of color, and analysis of practice and thinking of the painting of freehand brushwork.