Figurative Painting In A Quiet Mood

Quiet artistic conception is a subjective expression,a combination of mysterious and tranquil scenes,or poetic,fresh and distant nature.In the diversified modern contemporary art,forms such as conceptual video installations seem to have become mainstream forms.However,traditional art needs to be valued again by people,to provide sufficient nourishment for artistic creation,and continue to bring rich cultural heritage to mankind.Balthus and Kaii Higashiyama use of traditional and contemporary fusion and innovation is also an expression of traditional modernity.Based on the background of Chinese and Western art and culture in the twentieth century,this article explores the common points of Balthus and Kaii Higashiyama in a quiet atmosphere,mainly in formal language,that is,in terms of modeling structure and expression.Start with the vivid image.And from this,it explores how to grasp the traditional cognition of oneself in the modern art environment,combine with one’s own creative practice,reconstruct the form in the painting,and analyze the expression of quiet artistic conception in the painting combined with the work.The full text is divided into five chapters.It starts with Balthus and Kaii Higashiyama’s concrete paintings in a quiet mood,and proposes a common research on the existence:Chapter One Introduction,which mainly clarifies the basis for the selection of the article and the current research status at home and abroad As well as the innovations,the significance of the research is put forward accordingly.The second chapter discusses the two artists’ fusion of traditional and modern,Eastern and Western art in the long river of the 20 th century based on the background of the common world environment,from the perspective of growth experience and environment,sticking to their own paintings,and showing the commonality of comparative artists.The possibility.Chapter 3 is the key chapter of this article.First,it elaborates the meaning of the beauty of form in a quiet mood,based on Clive Bell’s explanation of the beauty of form,and emphasizes the necessity of exploring the beauty of form in a quiet mood.Secondly,it expands from the two aspects of modeling structure and modeling form.In terms of structure,the similarity of the two artists is analyzed in terms of the decoration of the plane space and the simplicity of geometric illusion.In the modeling,the main body shape is briefly sorted out,and there are also problems.The texture effect of rubbing.Combining experience and works,it analyzes the formal expression in a quiet mood.The fourth chapter discusses the dynamic image of tranquility in the tranquility.Among them,Balthus’ cat and Higashiyama Kaii’s white horse are the main creative image analysis applications in the works.Describes the dynamic image in terms of composition and portrayal,and expounds the symbolism and value of the cat and the white horse,emphasizing the meaning of "movement in stillness".The fifth chapter is based on my research on the concrete painting of quiet artistic conception,the influence of Kaii Higashiyama and the masters of Balthus on my creation,traces the inner yearning for quiet,sorts out the self-expression of the quiet mood in daily works,and strengthens the art Choice of direction.