The Study On Zhai Yunsheng’s Official Script And Own Calligraphy Creation

As a famous scholar and calligrapher in the middle and late Qing Dynasty,Zhai Yunsheng was especially good at Lishu.He devoted his whole life to writing,especially in order to compile Li Pian,and collected a large number of rubbings on steles,which provided a variety of possibilities for him to learn from others.At that time,it was in the revival period of Lishu.The prosperity of economy,the prevalence of textual research on gold and stone,and the influence of regional culture all played a certain role in promoting the formation of Zhai Yunsheng’s calligraphy.Zhai Yunsheng’s style of official script can be divided into three types: “delicate and plain”,“honest and plain”,“vigorous and charming”.The “delicate and plain” category mainly adopts Han Li and Tang Li,which are elegant in plain and plain and flexible in rigorous.“Honest,simple and clumsy” are mainly influenced by Gui Fu,the brush is thick and the stipple is solid,and you can see the change in the ink color.“Vigorous and graceful”is Zhai Yunsheng’s comprehensive calligraphy style,the word is broad and the lines are strong,which is full of temple spirit.On the basis of in-depth study of Zhai Yunsheng’s calligraphy style,the author takes the ink of his inscriptions handed down from ancient times as the object of taking the method.Master its laws by copying,and then apply it to the creation,and catch up with Zhai Yunsheng’s origin of taking laws,and try and integrate different styles with han li and Qing calligraphers,in order to produce artistic style with personal characteristics.