A Study Of The "Picturesque" Consciousness In Song Dynasty

This paper takes the Song Dynasty as the core to discuss,and analyzes the connotation and aesthetic significance of the "picturesque" consciousness in the Song Dynasty with the landscape painting as the breakthrough point.The appearance and use of "picturesque" is related to the degree to which the art circles praise mountains and rivers,and its focus is on the natural scenery like the mountains and rivers in the paintings.Due to the rise of landscape painting in the Tang Dynasty,"picturesque" was used to evaluate the scenery.In the early and middle Tang Dynasty,the consciousness of "picturesque" was still in a broad level.In the late Tang Dynasty,the concept of "picturesque" was formed,which was connected with that of the Song Dynasty.After the Song Dynasty,with the improvement of the literati’s consciousness and the foundation of the theory of poetry and painting,the concept of taking painting as the framework to grasp the landscape was prevalent,which represented the deepening of the "picturesque" consciousness,and its connotation was reflected in the beauty of nature,vision and humanity.Whether in the Tang Dynasty or Song Dynasty,the use of "picturesque" is closely related to ancient Chinese landscape poetry and landscape painting,which represents the development degree of poetry and painting in a period.At the same time,as a concept related to "picturesque","Ruping" emphasizes more on the wholeness and eternity of the world,expressing a unique spatial consciousness.The combination of "picturesque" and "such as screen" aesthetic significance,for the construction of rockery garden has guiding value,at the same time,the study of "picturesque" for us to examine the harmonious development of nature and human has a role that can not be ignored.