Research On The Application Of Brush Strokes In Freehand Landscape Oil Painting ——Taking The Series Of Works Of Stuffed Autumn As An Example

This paper expounds the application of brush strokes in freehand landscape oil painting,first studies the relevant literature,then accumulates painting experience through copying,experiment and creation,analyzes and combs the application methods and effects of brush strokes in freehand landscape oil painting,extracts experience,and finally carries out the author’s graduation creation in combination with the experience and feeling of the actual scenery when supporting education in Qinghai.Through the analysis of the author,it is concluded that the stroke application mode of freehand landscape oil painting originates from Chinese traditional freehand painting,and Chinese traditional freehand painting is inseparable from the pen use mode of Chinese traditional calligraphy.It is concluded that there is a very close correlation between the three.Based on the application of brushwork in freehand landscape oil painting,this paper summarizes the brushwork effect and purpose of freehand landscape oil painting from the perspective of freehand brushwork,and compares the differences between freehand oil painting and non freehand oil painting.Taking some works of Bai Yuping and Wang Hui as examples,this paper studies their brush strokes from three aspects:main style,specific brush strokes and picture effect,demonstrates the brush strokes of freehand landscape oil painting from the perspective of the viewer,learns their own brush strokes of landscape types in the creation of freehand landscape oil painting,and finally selects the theme of natural landscape in Qinghai,According to the brush strokes of freehand landscape oil painting and painters’ pen habits obtained from the previous analysis,the series of works of freehand landscape oil painting "stuffed with autumn" are created by combining theory and practice.