Research On The Artistic Creation Strategy Of Intangible Cultural Heritage Documentaries ——A Case Study Of The Graduation Project The Craftsman Of Tang Dynasty Jun Porcelain

Intangible cultural heritage is the cultural manifestation of our country’s thousands of years of history.With the advancement of modern technology and globalization,more and more young people’s attention has shifted to the development of science and technology,many excellent intangible cultural heritage culture is impacted by popular culture,resulting in a certain predicament of traditional culture..With the convening of the intangible cultural heritage conference and the promulgation of various intangible cultural heritage policies and regulations,many intangible cultural heritage have returned to the public field of vision.As a form of artistic expression,documentaries have both visual and auditory attributes,giving the audience an intuitive experience.In addition,they are easy to preserve and express truth,which are becoming effective methods for protecting and disseminating intangible cultural heritage.Intangible cultural heritage documentaries are carried out to show the real status and artistic characteristics of a certain item or type of intangible cultural heritage culture.With the support of our country’s policy,more and more intangible cultural heritage documentaries have sprung up,adding a strong touch to the cultural diversity of our country.Based on some experiences and insights in the creative practice of the intangible cultural heritage documentary The Craftsman of Tang Dynasty Jun Porcelain,this paper is based on the theoretical research on the creative methods of the intangible cultural heritage documentary,and strives to organically combine theory with practice to provide help for the theoretical research of the non-legacy documentary in China.This article focuses on sorting out and researching the creation methods of intangible cultural heritage documentaries mainly from four aspects.First of all,the first chapter introduces the background of the topic selection,research status,research purpose and significance and research methods,which conducts a detailed review of the existing domestic theoretical research and works.It is found that the theoretical research on intangible cultural heritage documentaries in my country is relatively weak whereas it has been in a rising trend in recent years.After that,it summarizes the four creative principles of authenticity,aesthetics,emotion,and humanity of intangible cultural heritage documentaries,and clarifies the basic principles of intangible cultural heritage documentaries creation.Next,take The Craftsman of Tang Dynasty Jun Porcelain as an example,analyzing the use of narrative methods in the creation process,mainly from three perspectives: narrative viewpoint,plot and time.After that,there will be an analysis on the use of audio-visual language in the creation of documentaries from the dimensions of graphic and sound effect.The last part is to conclude the reflection on creation.Hopefully this thesis can help summarize relevant practical experiences and combine theories with practice,to enhance the positive role of documentaries in the dissemination and inheritance of intangible cultural heritage,drawing lessons and avoiding mistakes for future creation and development of intangible cultural heritage documentaries.