| Chen Hongshou is the most important representative painter of Figure painting in Ming Dynasty and an important figure in the study of Ming Dynasty painting history.Chen Hongshou inherited the law of the Song and Yuan dynasties,and the power of qi bureau is ancient and profound,with a unique style of painting and a very personal appearance.Zhang Dai,a literary master in the Ming Dynasty,commented that Chen Hongshou’s paintings were brilliant and had deep connotation.He had formed his own school on the basis of the style of The Times,and his works were of great research value.This paper mainly starts with the qing dynasty’s works in his paintings.By discussing the relationship between qing Dynasty’s works and Chen Hongshou’s works,it reflects the popularity of implements and the elegant taste life of literati under the development of commodity economy in the middle and late Ming Dynasty,and explores the free will,individual spirit and creativity behind the literati.Through the study of Chen Hongshou’s paintings of pure offerings to explore his spiritual world,and then presents a multi-level Chen Hongshou.This paper first introduces the popular social background and aesthetic changes of Chen Hongshou’s paintings,and expounds the reasons.Secondly,the paper discusses the works and artistic style of qing dynasty in Chen Hongshou’s paintings,discusses the connection between objects and figures in Chen Hongshou’s paintings,expresses the thoughts and feelings of literati,and discusses the expression and application of qing Dynasty elements in the paintings from Chen Hongshou’s qing Dynasty.The aesthetic value of the theme of confession in Chen Hongshou’s pictures and its influence on later generations are expounded again.Finally,it discusses the inspiration of Chen Hongshou’s works on the theme of confession to my creation.This paper analyzes the aesthetic interest and spiritual sustenance contained in Chen Hongshou’s paintings by taking the theme of qing dynasty’s paintings and the theoretical works related to literati’s life as data. |