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Oriental Aesthetics In Materials—Research On Antoni Tàpies’s Artistic Language

Posted on:2022-11-29Degree:MasterType:Thesis
Country:ChinaCandidate:H W ChenFull Text:PDF
GTID:2505306773490854Subject:Fine Arts, Calligraphy, Sculpture and Photography
Abstract/Summary:
As a representative figure of "no style" after the Second World War,Antoni Tàpies of Barcelona,Spain,is as famous as Picasso,Miro and other masters of art,and even surpasses predecessors in many aesthetic concepts.Since ancient times,Catalonia,Barcelona,Spain,has a strong artistic heritage.Tapiez is in such an environment,inheriting,creating and subliming his own artistic language.Moreover,in the combination and application of artificial and non-artificial materials,we repeatedly paced and took a unique opportunity to show the grand face of "materialized" comprehensive material art from a brand-new perspective,and made efforts to explore the multi-dimensional precedent of ready-made materials.At this point,he expressed his unique and unusual artistic thoughts and concepts.After the Second World War,Europe’s "style-free" did not reside in the branch of Guang Mao where abstract art developed,but "stood on its own feet" : the emergence of various new artistic means and the gradual use of ready-made materials aroused extensive thinking among the avant-garde artists at that time,of which Antoni Tàpies was the representative.Antoni Tàpies has always placed the use of ready-made materials at the core of his exploration of art,and he is so obsessed with the use of materials,which more reflects the spiritual significance of Tapias,and materials are only the way.During the 1950-1960’ s of the 20 th century,the western world developed rapidly,forming the appearance of "a hundred flowers blossom" in modern art.In such a wave,there is also the saying of "the end" of art.Thus,artists not only stay in the traditional sense to think about the significance of painting,but also impose their own artistic language into the context of the times.Finally,Antoni Tàpies’ s unique works in front of the world aim to fully tap the spiritual connotation hidden behind the surface properties of things that are different from ordinary people,and directly collide a large number of letters and symbols with waste materials.This unprecedented bold way provides people with new ideas to examine and observe the world,so as to reflect his artistic ideas.The above analysis angle is the critical path for us tosee the essence through phenomena and explore the aesthetic trend of the artist Antoni Tàpies.This thesis mainly focuses on Antoni Tàpies’ s unique views on abstract art and his philosophical thinking reflected by the combination of material application and comprehensive media in his works,and through his case study,combined with Martin Heidegger martin heidegger(German: Martin Heidegger,1889-1976),a German philosopher.One of the founders and main representatives of existentialism philosophy in 20 th century.],edward wadie said [edward wadie said(1935~2003),a famous literary theorist and critic,was an active member of the Palestinian national movement.] and other thoughts,trying to link existentialism with Orientalism,focusing on the current humanistic significance of artistic creation,so as to draw a conclusion,the enlightenment in his own creation and so on.
Keywords/Search Tags:no stylism, Material, Texture, Dongfang element
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