The Fable Of “Fortress Besieged” ——A Study On Broken Marriage Theme Film In The New Period(1978—1989)

Broken Marriage Theme Film refer to those that show the changes of marriage relationship as the main plot line.In the new era,broken marriage theme film integrate multiple discourse of The Times,such as cultural reflection,social change and personal liberation,making the marriage and divorce stories in this period present a more contradictory and complicated situation.From the development point of view,broken marriage theme film in the New Period is mainly divided into three stages,wandering reflection marriage usually has a rectification to restore order reflection,wandering stages are discussed marriage began to focus on individual emotional difficulties,but marriage moral discipline of the individual emotional desires,multiple stages of marriage story gradually took a little of the sanctity of marriage and family,Towards a more open concept of marriage and family.From the perspective of narrative structure,the surface narrative structure of marriage transition films in the new period can be summarized into four narrative modes: "educated youth returning to the city","wrong marriage ending","old and new conflict" and "third party involvement".These four modes are not completely independent,but their respective theme expression has different tendencies.Among them,the "wrong marriage ending type" and "old and new conflict type" accounted for the most in this period,which not only showed distinct characteristics of cultural reflection,but also reflected the huge impact of social reform on marriage,family and gender relations.Based on the narrative grammar theory of Tzvetan Todorov,it can be found that the marriage transition films in the new period present a deep narrative structure of "balanced--unbalanced--balanced",in which the awakening of self-consciousness becomes an important force to break the balance of marriage,reflecting the discovery of "human" value in the context of social change.The reform discourse of the construction of the reform and opening up usually becomes the power of The Times to call individuals to return to their families and restore balance.From the perspective of the characters of deep narrative structure embodies,marriage in the new period there are a total of four kinds of key characters in the film,including the "Nora"," heart breaker" as the representative of the rebels,represented by " the abandoned woman"," male chauvinis" marriage crisis as the passive receiving," home-wrecker",and in others marriage and marriage event harmonic.As marriage rebels "Nora" is appeared most frequently during this period the character image,"run away and may not be" has become a new era of Nora’s biggest dilemma,and symbol of the "third party" of love is the most pioneering figures in the 1980 s,they carry the age people yearning for love,for the inner feelings.In terms of meaning,marriage in the broken marriage theme film in the new period is a fable,break through the siege and may not be the story of the metaphors in traditional individual encountered resistance,during the period of social transformation and leave painful memories are produced by political mark marriage constitutes another siege trap generation of history.