The use of digital synthesis technology had broken the philosophical shackles of traditional video movement ontology under the era of digital media art.A series of photographs without life are endowed with human movement and expression via the digital synthesis technology in the stop-motion animation,which are saturated with reality.The emergence of digital synthesis technology is not only an impact on Bazin’s image ontology,but also a new interpretation of image movement ontology.In this paper,the motion problem of stop-motion animation under the digital synthesis technology were discussed with the stop-motion animation as the research object through the theoretical study on influencing motion.Firstly,the development process of stop-motion animation was sorted out,and then the basic theory of image motion ontology was studied.Aiming at the application of digital synthesis technology in stop-motion animation works,the specific performance of the motion authenticity of the stop motion animation under the digital synthesis technology was summarized with the graduation work "Confucius Learning Music" as the practical object.And the motion body of the stop motion animation was deeply discussed.On the basis of Bazin’s image ontology,this paper combines Deleuze’s moving images with the image features of stop-motion animation under digital synthesis technology from multiple dimensions,so that the theory could be better applied to the practical creation.Thereby,the influence of the development of digital synthesis technology on the motion ontology of stopmotion animation could be deeply understood. |