Research On The Composing Techniques Of The Melodious Poem "Magnificent Pastoral"

“Magnificent Pastoral”is a symphonic work with unique Mongolian style created by composer Li Shixiang in 2006 with the theme of Eastern Mongolian folk song“Pastoral”.The song skillfully integrates Mongolian elements with symphony orchestra without using traditional Mongolian instruments.The music uses Mongolian folk songs as the theme melody,use the traditional composition techniques and single theme development technique,and integrates the western harmony system and modern symphonic orchestra,embodies the strong Mongolian style characteristics.The article will take the research on the creation techniques of the sonorous poem“Magnificent Pastoral”as the title,and take the research on the creation techniques of its music ontology as the main line.First,it will briefly introduce the creation background and author,and then it will study the theme motivation,harmony,music form,orchestration and polyphony as the main content.Then combined with the research results of the Mongolian traditional folk songs and modern composition techniques of the current situation of the integration,at the same time,from the philosophical point of view of the “id” on the creation of the impact.The thesis consists of introduction,Chapter one,Chapter two,Chapter three and conclusion.Introduction is to include the source and basis of the topic,research status and innovation,is the purpose of the research significance and status of the topic.The first chapter is the general situation of the creation of the sonorous poem“Magnificent Pastoral”,which includes the origin of the sonorous poem,the composer’s creation background and the source of the creation theme.The understanding of creation background of the work can know the meaning of the techniques used by the composer in the creation process and the emotion he wants to express.The second chapter is about the joyful the grandeur of the pastoral music ontology analysis,will be in the perspective of composition,technique developed from melody,harmony,polyphony and orchestration five aspects are studied,in which a single subject motive for the development of technique,or,in the form of multi-tone folk songs as well as the combination of the Mongolian folk songs and symphony orchestra will be embodied through the above several aspects.The study of music ontology can enable us to understanding of the composer in the process of creation of ideas and methods.The third chapter is the integration of Mongolian music elements and modern composition techniques.This chapter will summarize the conclusion of the music ontology research,combined with the Mongolian traditional history and the development course of Chinese and foreign composition,summed up the various reasons for the perfect integration of Mongolian elements and modern composition techniques.At the same time,part of the content of philosophy is added to discuss modern creative techniques from the perspective of the id,but also from another perspective to explore the role of human factors in the development of music creation,as well as the effect of music spread among people of all nationalities on the production and creation of music.The last part is conclusion,which summarizes the research content and results comprehensively.The Mongolian traditional elements and modern techniques of integration not only represents the Inner Mongolia region development and the progress of Chinese music,but also represents the human in the use of diversified factors in the social progress will be the “old”and “new” together,to form a better work,is not only a summary of the whole epilogue part,is also the author through the work of learning,to the life,to own a prospect.