Application Of Baoxiang Flower Patterns In Tang Dynasty In Modern Jewelry Design

As a symbol of Buddhism art,"Baolian" has the pure and untainted meaning of "being out of the five turbid worlds without any pollution".The early patterns of Baoxiang are derived from the noble and holy lotus."Baoxiang"-the word can be traced back to the Wei,Jin and Southern and Northern Dynasties.The Southern Qi Wangjian’s "Touqi（Tuo）Temple Tablet Inscription" says: "The treasure of gold and treasure will always take time to rest,rest your heart,and finally travel to the collection." If we say that the patterns of ancient China have formed different characteristics under the different cultural conditions of each dynasty,then the openness and prosperity of the Tang Dynasty and the rich and full appearance of the Tang Dynasty’s Baoxiang patterns are integrated,showing the prosperous and prosperous times.Open and inclusive.The Baoxiang pattern was introduced into the Tang Dynasty with Buddhism,merged with the local culture of the Tang Dynasty,and gradually entered the secular life of the Tang people under the influence of Empress Wu’s politics.The sixth ancestor Hui Neng advocated "being out of the world",and the Zen master of the mid-Tang Dynasty proposed "ordinary heart is the way".The influence of politics,culture and religion allowed the continuous integration of Tang Dynasty’s treasure-like patterns with pomegranate patterns,peony patterns and other patterns,presenting an open and full form of freedom,gradually changing from a noble and holy religious flower to auspicious,rich and prosperous secular meaning.The Baoxiang pattern is not only vivid in the Tang murals,but also used in folk crafts.For example,the gold and silverware of the Tang Dynasty,Tang Sancai,bronze mirrors and later Song Dynasty architectural paintings can be seen in Baoxianghua.At present,China has less research on the heritage of traditional culture in jewelry,designers often imitate the style of Western jewelry,or pass on the style of ancient Chinese jewelry,lack of contemporary artistic innovation.Summarizing the most popular and popular styles,materials and techniques of traditional jewelry and incorporating them into the design style of contemporary jewelry is an important condition for both traditional charm and modernity.This article starts from the historical origin of the Tang Dynasty’s Baoxiang patterns and the changes in the pattern characteristics after the Tang Dynasty.Focusing on the Tang Dynasty’s Baoxiang flowers,it studies the cultural implications of the Tang Dynasty’s Baoxiang patterns,their different types of patterns and their colors.Features,etc.,summarize the visual characteristics of the Tang Dynasty Baoxiang patterns.On this basis,according to the creative concept of the practical work,with the help of modern jewelry design methods,the traditional patterns of Baoxianghua are extracted through direct and indirect methods,and the patterns are deconstructed,broken,deformed and reorganized,and the concrete patterns are abstracted and imaged.,In the four-dimensional space to study the symbolic and three-dimensional application of plane patterns in modern jewelry.Under the premise of retaining the ancient charm style of traditional treasure-like patterns,it incorporates the visual expression skills of contemporary jewelry,and combines market research to carry out in-depth practical exploration.