A Study On The Practice Of Multi-space In China’s Offline Script Murder ——Observation Based On Wuhan Script Murder

In 2016,with the popularity of Mango TV’s "Star Detective" program,script murder was well known to Chinese audiences.In recent years,the popularity of offline games such as Werewolf and Escape room has laid the foundation for the offline development of script murder..Beginning in 2019,script-murder games have gradually shifted from online to offline,and script-murder offline games have sprung up like mushrooms after a rain.The interactive interaction between script-murder online variety shows and offline games has attracted some young people who travel between real and fictional worlds,and they actively participate in the upsurge of script-murder offline games.As a unique cultural and game space,script murder not only provides a platform for individuals to meet and communicate,but also becomes a medium embedded in the daily life of some urban youths.This paper takes the script murder offline hall（hereinafter referred to as the script murder）as the research object,starting from Lefebvre’s ternary space theory,and using the method of participatory observation and interviews to carry out a theoretical interpretation of the script murder.Firstly,the related concepts of script murder and ternary space theory are explained.On this basis,it discusses the script murder as the main body of space production and how different forms of communication media participate in the construction of physical space;secondly,it shows the typical spatial practice of the participating subjects including the script,the host,and the players in the performance space.Finally,it explores the young people’s understanding of script murder as a social space that integrates reality and imagination.This article aims to use Lefebvre’s ternary space theory to interpret the script murder.Through game interaction,the participants’ script reading,role performance,social participation and meaning reconstruction are all integrated into the offline space of script murder.The study found that script murder,as a physical space,has special spatial productivity,and the elements of the space provide the basis for the construction of script murder space,thereby promoting the aggregation of specific groups.Through the script,the host,and the players,the immersion and interaction in the spatial representation are jointly created,and the conceived "performance space" is formed.The script,as the game script and narrative structure,defines the participants’ game imagination and interaction space.However,script murder participants can reconstruct narrative texts and creatively interpret narrative texts through practice.This cultural practice has produced peer socialization and offline interaction among young players,forming a unique participatory culture.For young players,as the main body of the space,they perceive the space in the actual participation,resulting in the individual’s cognition and understanding of the space.The return of communication and the escape and liberation of everyday life.However,on the basis of forming a special subcultural space,the script kills the absorption of youth groups,it also reflects the empowerment of space under the discipline of power,and reveals the essence of the space created by commercialism.