The Application Of Visual Elements Of New Year Pictures In Virtual Images

From Daguerre's photography to today's digital imaging technology,photography has undergone dramatic changes.Constant update of the digital technology has not only enriched creations of photography works,but also fundamentally changed the way of creation,turning virtual image an unavoidable choice for today's world.With the evolution and development of technology,the development of photography has gained more possibilities.No matter how technology develops,the aesthetic rules of photography will not be changed.Thereby,how to construct the aesthetic form of virtual photography has been the current theme of photography.This research studies photography under the framework of visual culture,and discusses the extended research of the virtual image language.Breakthroughs of photography language rely on the positive influence of other categories of art.As one of the art forms with the highest cultural deposit,the New Year painting demonstrates great vigor of development and strong visual decorativeness.To integrate virtual images with traditional wood New Year paintings for exploration of art practices has endowed expressions of photography language with more possibilities.Only in this way can the art of photography maintain its vigor in the long term.Application of visual elements of New Year paintings to image creations is to refer to classical aesthetic paradigms and cultural symbols in the traditional Chinese art to make up the gap of the photography language and reconstruct the aesthetics of photography.This paper consists of four chapters.Chapter 1 is the introduction part,which consists of the research background,research significance,research method,key research questions,research innovation and research status.Chapter 2 combines the virtual culture to discuss the form of contemporary photography language.Contemporary photography artists have demonstrated more possibilities in image creations.To study the contemporary art of photography from the cultural perspective is a supplement to the study on photography theories.Reviews the evolution path of photography and decomposes the classical photography works.The development of photography has been ushered into a new period,with the slow decline of classics.To study the history of photography from the perspective of visual culture,and examine the contemporary artworks from the macroscopic perspective are an objective response to and reasonable criticism of the development of China's contemporary local photography.The third chapter discusses the cultural appeal of virtual images and the application of New Year pictures.The concept of virtual image and its lack of culture in the digital age are expounded.Analyze and refine the visual elements of traditional Chinese woodbine New Year pictures,such as the symbolic Oriental color,exaggerated and abstract figure deformation and visual decoration.The fourth chapter is the artistic practice of the fusion of virtual photography and New Year pictures.Take the works as an example to discuss how to reasonably apply the visual elements of New Year pictures to the creation of virtual photography.